Category: Current Events (page 54 of 91)

Original(ish) Sci-Fi Rises

Courtesy Warner Bros

People have talked a lot about a lack of original ideas in Hollywood. When we went to see The Hobbit, some douche behind us commented that ‘there aren’t any original movies anymore’. I’d like to cite just two examples of how wrong that sentiment is.

One of them is Oblivion. “Now wait,” you might be saying, “isn’t Oblivion based on a graphic novel and therefore not an original movie idea?” Normally, you might be right, but since the director of the film is also the author of the graphic novel, I’d say this qualifies. Post-apocalyptic sci-fi isn’t anything new, but the concept of this one has a unique feel to it: When Earth is invaded, mankind apparently has its act together enough to evacuate. Jack Harper is one of those left behind, grabbing what resources he can and repairing the drones that defeated the invaders but left the planet a bit scorched. Not all is as it seems, however, as Jack discovers humans on the planet’s surface…

What fascinates me about Oblivion is its acknowledgement that, even in the wake of sweeping disaster, life goes on. The world doesn’t simply wink out of existence. There is an aftermath to be dealt with. There’s a lot of lonely desolation in the trailer, juxtaposed with the shiny technology the actors are using, and the austerity of the visuals feels very striking. Plus, the author of the graphic novel and director of this film also directed Tron: Legacy, and other critics be damned, I liked Tron: Legacy.

The other film I’m very much looking forward to that exemplifies original sci-fi is Pacific Rim. Now, again, there’s clearly a heavy influence on the project, but rather than one source, Pacific Rim is more inspired by a genre than a single work, and that genre is the daikaiju films that usually feature Godzilla or Gamera. Instead of being post-apocalypse, we witness the start of the apocalypse as giant interdimensional monsters rise from the depths of the sea to wreck devastation upon mankind. To fight them, we build giant robots called Jaegers that match them in size & stature, and pilots use neural links to control the Jaegers from afar. Things are apparently getting worse, though, as the monsters are barely slowed down by the Jaegers and it seems to be a losing battle…

This is a notion that feels truly international. Daikaiju are mostly Japanese, yet here we have an American film with an extremely similar feel with a multi-racial cast directed by Mexican geek favorite Guillermo del Toro. Given his success with the Hellboy films (both of which I really like) and Pan’s Labyrinth (which made me weep like a child but in a good way), I’d trust him with pretty much anything, but this feels so uniquely his idea it’s staggering. I’m really curious to see what he does here. Oh, and is that Ellen McLain voicing the Jaeger AI? Definitely count me in, even if they don’t turn evil or constantly berate the humans involved.

What movies in 2013 are you looking forward to? And what do you think of the sentiment that Hollywood has no original ideas?

Writer Report: Back On Track

Train

I’m still not writing as much as I would like in a sitting, but I’m writing more and it’s consistent in that it’s happening every day, now. Cold Streets is back on the front burner and bubbling away nicely. I know I will have to go back and do a bunch of editing and rewriting. But I need to at least get the concepts, scenes, and beats out of my head and on to paper before I can properly mess around with them. And there’s only one way to do that!

In the hopes of keeping people interested in my work and with an eye towards better promotion, I’m happy to announce the following: for the rest of 2012, until January 2 2013, Cold Iron is on sale at Amazon for $0.99. If you haven’t already, you can get it for your Kindle right here. If you have already downloaded and read Cold Iron, tell a friend, leave a review, send me a comment, something along those lines.

I’ve gone back and forth about how to approach the former fantasy novel, and whether or not it will be a trilogy. Looking over the story, the complexities, and the things I want to discuss through and with the characters, I think that yes, breaking it up is probably the way to go. It is my hope that, as winter goes on, I can put together more notes, form more thoughts coherently, and finally take the red pen, scalpel, darling-slaying shotgun, and all-important flamethrower to my original manuscript to craft the first novel of the Godslayer trilogy.

Last but not least, I still believe that science fiction stories do not need to be constrained to a single type within their own narratives. There’s no reason a good character-driven story can’t begin life as one thing and slowly become another. The Fellowship of the Ring has a whimsical, homey start in the Shire, but by the end, darkness and peril are all around and it’s hard to imagine how things can get worse. It is that grounding in whimsy that makes the end, and the next two books, so powerful and resonant. It has been done in fantasy many times; why not in science fiction?

I’m not comparing myself to Tolkien by any means, I just think that it might be an experiment worth trying.

Why So Serious?

Courtesy Warner Bros.

The new trailer for the upcoming Man Of Steel film is available. If you haven’t seen it already, I recommend taking a look. If you’re a DC fan, you’re probably pretty psyched. Personally, I find myself wondering when Superman became so dour and sullen. The endeavor looks to be steeped in darkness and carrying a current of realism that, unsurprisingly, seems to be cast by the shadow of the bat.

I’m not sure how much my readership these days is familiar with comic books, but most readers would agree that Superman and Batman are very different heroes. Batman comes from a place of pain and weakness, motivated by a very tangible need for justice and vengeance more than anything else. With no superpowers or magical artifacts to aid him, Batman pursues his enemies with only his wits, his martial prowess, and the unlimited funds of a wealthy international corporation. Every night is a struggle, and many situations he survives are near-misses that nearly take his life.

Superman, on the other hand, is an alien from another world. Yes, his world was doomed, but here on Earth he has god-like powers, and discovers new ones on a regular basis. Impervious to physical harm, faster than man’s fastest technology, strong beyond mortal reckoning… the list goes on. He’s the sort of hero that lends himself less to a gritty, down-on-the-streets sort of story and more to the kind of yarn where he punches ten-story-tall steam-powered robots in the face so they stop hosing down Main Street with disintegration rays.

Part of the reason Superman seems appealing to people is because of his outlook. For all of his powers and knowledge, he comes from a place of genuine concern for his adopted planet and its people, wanting to fit in more than he wants to rule or even protect as a pet owner protects their beloved animals. He tries his best to relate to people, allowing himself to be goofy or clumsy if it will both get their attention and cover up what he really is, and even when he’s showing his true self, he speaks to the innocent with a sort of ‘aw, shucks’ charm that, when presented right, does make him a bit more endearing.

Both Christopher Reeve and Brandon Routh were in productions that got this. Back in the Donner days, Superman had a winning smile and did his utmost to be humble in light of everything people saw him doing, and Clark Kent often came off as oafish or shy, despite the opposite clearly being the case if you looked hard enough (Lois Lane did). And in Superman Returns, both identities of the character remain consistent. Clark is still apparently timid, while Superman still has those pearly whites and still wants to remind you that, statistically, flying is the safest way to travel. For all of its problems, Superman Returns not only gave us a fantastic Lois Lane, but also ‘got’ what made Superman a somewhat more interesting character.

Man of Steel, on the other hand, feels like it’s going in another direction, one I’m not entirely sold on.

From Pa Kent apparently being a less than upstanding guy to Clark sporting what is colloquially known as a “beard of sorrow,” Man of Steel is looking to be a super-serious take on Superman. It’s plying more towards a realistic look at the superhero and his world. I can’t comment on the quality of the work nor on the writing of it, but when it comes to this theme and premise, the big question I have is: Why? Why do away with the whimsy and charm? Why, indeed, is it so serious?

Over the last few years this trend has emerged, in which some familiar stories and characters get a “dark and gritty” reboot. Thankfully, they’re not as dipped in darkness and gothic architecture as they were in the 90s, but I find myself wondering why this keeps happening. Taking an old story in a new direction is something I’d definitely advocate, but does it always have to be in this serious a direction? There’s a reason the Flash Gordon TV series from a few years back failed, other than the writing problems: you lose a lot of the magic when you take out some of the more fantastical elements of a story. I haven’t seen more than a couple episodes of Once Upon A Time, but what I did see looked to be trying a balance between real-world storytelling and a fresh take on a world shared by all sorts of fairy tales. It’s one of those things I’ve been recommended to watch, and I admit I’m curious.

I can understand why some people don’t like camp, why going completely headlong into the otherworldly and fantastical turns some people off, but to me, this is too far in the other direction. It can and should be possible to balance a realistic grounding of well-rounded characters with greater flights of fancy and a bit of the pure escapism we seem to have lost in the last decade or two. Sometimes we want to see our heroes be upbeat folks who face their challenges without fear and maybe buckle a swash or two. They don’t always have to be sad sack sentinels of What Is Right And Wrong with a heavy moral decision to make. In other words, not every superhero movie has to be The Dark Knight.

In fact, I’m pretty sure Batman would give Superman a Kryptonite kick in the balls for stepping on his turf.

Block Breaking Redux

Courtesy West Orlando News

I originally wrote this post over a year ago. However, it feels more relevant now than it did then. Maybe because I’m still struggling to carve out time to write, maybe because I know I’m not the only one writing less than I’d like, maybe because it’s close to the end of the year. Who knows, maybe me from the past wrote out this post as a reminder to my future self that writer’s block is something of a fallacy and needs to be dealt with head-on rather than worried about in a quiet, hands-wringing fashion. Anyway, here’s what I had to say about it, and I feel it’s still true:

Continue reading

Writer Report: Catching Up

Courtesy Wholehearted Ministries

I’m finally starting to catch up on the writing. It’s not a great deal, only a few hundred words here and there, but it’s something, and it should continue improving in the weeks to come. Unfortunately, the stress and fatigue of the season is also catching up with me. I’m sleeping less when I should be doing it more, and the eye I’m keeping on my diet and exercise is not as close as it could be.

The urge to drift off is strong as I sit here typing this, as a matter of fact.

The thing is, the whole idea of ‘catching up’ in such a way is a fallacy. The time that I could have spent writing or sleeping is already lost. I can’t get any of it back. The best I can do is make the effort to better sort my time in the future.

I think I’ll do that after I get done with my shift today. And possibly take a nap.

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