So here we are, folks. The calendars have been swapped, the Dramamine passed around, the coffee brewed and we stand now looking at where the sidewalk ends.
It’s not like I think there’s any major cataclysm coming at the end of 2012. It’s far more likely that the Mayans simply felt that a couple thousand years was more than enough time to plan ahead for things. It’s unrealistic to think that they sat there carving dates into stone over and over again just for the carving’s sake. They had lives, after all. Or maybe the lives of the chroniclers was cut short by a conquistador’s saber. It’s something we may never know.
What I do know is that new years mean new possibilities. This takes the form of ‘resolutions’ for most. You can probably categorize what follows similarly, though most of mine are based on the previous year’s shortcomings.
While I did write quite a bit last year, I’ve little to show for it other than a pile of blog entries, a few YouTube videos, a pair of unrefined manuscripts and a half-dozen short stories in that curious limbo between “written” and “publishable”. So the first thing I’m going to do is get my fiction in print. That print may be electronic on an e-reader or out in the wild on one of those dwindling bookstore shelves, but it’ll get there, one way or another.
I discovered Day[9] in 2011, and as he suggests during his daily I plan on simply being a better gamer this year. I’ll try out more games, get better at the competitive games I play – StarCraft 2, League of Legends, shooters and games that of course haven’t been released yet. I’m talking about more than ranks as well. I’ll behave like a better gamer, support the independents and try to deliver as unbiased a review for a given game as possible. And if I find I was mistaken about something, you’ll be sure I’ll do my utmost to correct myself.
Music has been a big part of my life. I’d like to keep it as more than just singing in the car or shower and occasionally playing Rock Band with friends. I had piano lessons when I was younger and it may behoove me to try and blow the dust off that skill set, perhaps growing into guitar & electric bass playing. Returning to music can only help the flow of my creative juices, provided I can make the time and have the resources to do it.
Live healthier is one you often hear, but I know I’ve fallen away from healthy living a bit since I started commuting again. I miss walking to train stations and around downtown Philadelphia. There’s a Retro Fitness not far from my current location and it may be worth looking into.
I think that about wraps up the whole ‘resolutions’ thing. Here’s to a great 2012.
I’m very heartened by a few of the things I’ve been seeing in the form of trailers. The Hunger Games looks like it’s being faithful to its excellent source material, Men In Black 3 is promising a return to some of the original deadpan and quirky humor that made the first film so much fun (we’ll see if it delivers), and of course The Hobbit. Singing Dwarves. ‘Nuff said, Peter Jackson, shut up and take my money.
In the midst of all this, The Dark Knight Rises. As much as the trailer featured a smoldering Anne Hathaway, eerie chanting, a glimpse of Gotham during peacetime and the goddamn Batwing, most geeks just want to talk about Bane. Specifically, his voice.
Word round the nerdy campfire is that he was particularly muffled during the seven minute prologue sequence some audiences saw in IMAX theatres before Mission Impossible 4. And while his line to Batman in the trailer is clear – if you’re paying attention – people want director Christopher Nolan to fix Bane’s voice in post. The Hollywood Reporter, however, tells us Nolan will do no such thing.
This is hardly surprising to me. Chris Nolan gave us Memento and Inception. I won’t go into too much detail about Nolan’s earlier work as I’m saving that for the last ICFN of 2011, and my original review of Inceptionis still available. And remember that cage match I had between Inception and Ocean’s Eleven? Good times. But I’m wandering off-topic. My point is, even in work like The Prestige, Nolan as a writer & director does not make decisions lightly. Let’s consider, for a moment, why he’d choose Bane and go so far as to make these apparent design choices.
Remember how in The Dark Knight, the Joker rarely attempts to deal with Batman in a direct physical confrontation? He uses assault rifles and rocket launchers, goons and attack dogs, head games and innocent people. He never really seems interested in outright killing Batman, opting instead to try and dismantle the man’s faith and motivations. Physicality was about the last thing on anybody’s mind other than the notion that Batman would paste the Joker about seven different ways if it weren’t for his one rule.
Bane, on the other hand, is an extremely physical character. Rather than being divorced from his mind and his will, his body is an extension of it. He’s entirely single-minded and very driven, much like Batman. The substances pumped into him, via head-tubes in the comics and his mask in this upcoming film, allow his body to match the speed and power of his mind. Batman will always be limited by what his body can do and how much punishment it can take. Bane exceeds those limits, and he can and will push Batman past them.
Enter Christopher Nolan. What do you do after you pit Batman against an entirely cerebral opponent? You up the stakes, of course, by making his next foe not only cunning and ruthless but also a powerhouse. You don’t want to tip your hand too soon, though. You have to maintain the mystery. You can’t let the ending of your saga be a foregone conclusion. Maybe Bane will kill Batman. Maybe he’s not the same Bane from the comics for a very specific reason, one that ties into your first Batman film and one of the aspects of a fascinating character born out of the animated series. How do you keep people from taking too many guesses?
Remember, theatricality and deception can be powerful tools.
In addition to encouraging audience members to keep up with you rather than simply pandering to them, conveying Bane’s voice in a realistically muffled way adds a layer of obfuscation to Nolan’s work. It not only makes the character more mysterious and menacing, it gives the public at large and the cynical critics of the Internet in particular something to consider, gripe about and worry over. It distracts them from bigger questions. It waters their enthusiasm. It keeps them off-balance.
I’m not saying Nolan specifically made this choice on purpose to mess with people on the Internet, but at this point, I can’t put it past him. He’s enjoyed so much success so far and done it in such a cerebral way that people can’t help themselves. They’ll go to great lengths to seek out, analyze and ultimately downplay even the tiniest aspects of his work. Nobody can be this brilliant, you see. Nobody can outsmart the Internet. Nobody’s allowed to be this successful without creating a bomb. Remember that bit in the original Spider-Man where Osborn tells Peter that people love seeing a hero fall almost as much as they like seeing them succeed? Nolan’s a hero to many. To set him up for a fall this way can be cathartic. It would mean that everybody is fallible, and if he falls, other film-makers can rise to take his place, even from the relative obscurity of the Internet.
I say let Bane be a bit muffled, a little hard to understand. Make the audience work to fully understand every aspect of the work in front of them. It made Memento and Inception such brilliant works, after all, why not apply the same mentality to a comic book movie? Likewise, if you know the Internet’s going to be going through your work, even a two-minute trailer, with a fine-toothed comb looking for nits to pick, why not give them a cause for concern? Let them blow up over something relatively insignificant rather than ruminate on plot and motivational points. Because, let’s face it, even if Bane ends up losing a word or two to idiots in the cinemas who are too busy stuffing their faces with overpriced popcorn to pay attention, when they inevitably buy the Blu-ray combo pack they’ll just turn the subtitles on. Problem solved.
Looking back over what I just wrote, I might be coming off as a Nolan fanboy and my argument may be dismissed on those grounds. So be it. Such dismissals don’t address what I’m trying to say, which is that Bane is going to be an effective villain, an excellent counterpoint to the Joker, and I for one am really looking forward to discerning every word that comes out of that mask. Incidentally, you notice how the tubes are arranged in such a way to resemble skeletal hands prying his mouth open? I dig that.
Let me hear your thoughts on this. I’m curious. Do you still think Nolan is worthy of our trust? Is he pulling a fast one on the Internet so he can blow them out of the water in 2012?
A lot has already been said about the Stop Online Protection Act, shortened to SOPA because acronyms are easier to remember when you have the attention span of a weevil. Jim Sterling, acerbic and opinionated as he is, pointed out some very real fears about the legislation. Bob Chipman chimed in as well, and as Congress continues to deliberate on this poorly-worded bill, tech-savvy bloggers like myself are being called upon to make their voices heard.
I know I said on my various social media outlets I’d ratchet back the politics, but this is crucially important not just from a political standpoint, but also for the very livelihoods of some of my favorite entertainment and people I consider colleagues if not friends. So here’s where I stand on it.
This bill should not pass.
If it did, and I decided to stream some League of Legends for a charity event, Riot Games could have me arrested for it. I would go to jail for a felony. I’d be sharing cell space with a rapist or murderer because I wanted to help sick kids by playing a video game.
Now, this is a bit of an extreme example, but none of the others are all that much better. Entire websites can get shut down. People’s careers can come to an abrupt end. Services like Twitch.tv would no longer be viable. The Internet as we know it would change forever.
I hope you see why this is a bad idea. And yes, I know I’m saying things that have already been said before, by more talented and/or popular Internet pundits. But the more of us that say these things, the better our chances of killing this bill before it grows to a level that tramples all over.
To learn more about this bill and how you can help stop it dead in its tracks, please visit this site.
