Category: Opinion (page 10 of 18)

Gamers, Fanboys, Behavior and Respect

X-Box Kitten
Since I and others may get worked up over this, here’s a picture of our kitten.

I try to keep the contents of this blog focused on storytelling and the best ways to do it in modern media. One of those forms of media is games. Video games, to be precise, and it’s a form of storytelling and interactive entertainment I’ve enjoyed since I was knee-high to a corn stalk. It’s in my blood. It’s part of my life. I am a gamer.

And yet, I feel like using that word has come to carry a negative connotation. Some have tried to distance themselves from the hobby to some degree. Some have pointed out that a lot of gamers are doing it wrong. Some are curious as to what’s going on with the term in general. And others want the label drowned in the bathtub altogether.

By the way, you should really go watch and read all of that stuff I just linked if you haven’t already. It’s worth your time especially if you’re a gamer, and it’s the basis for this entry.

For my part, I want to make something perfectly clear. I don’t think I’m better or worse than the large community of gamers out there. I’m just as guilty as taking joy in the failures of another gamer who happens to be on the opposing side of the Internets as anybody. I’ve shunned social interaction, ambition and even relationships for the sake of gaming. I’ve gotten pissed off to the point of physical violence over another failed attempt at a challenging level. After the experiences of suicidal depression, a nervous breakdown, abandonment, divorce and the rigors of the mental health recovery system in this country, I made a promise to myself that when I came across a flaw in my behavior, I’d take a look at the problem, find out where I’d gone wrong and strive to improve my behavior going forward.

Sometimes I do that. Sometimes I don’t. Sometimes I kick it right into the goal, sometimes I bounce one off the post. Nobody’s perfect, right? Yeah, I might lose my cool when I nearly get run over by somebody in an Audi who’s in a hurry to get from the local Starbucks to their next high-powered marketing meeting. Who doesn’t? And I might invoke the works of other gamers and critics – like I did two paragraphs ago – and be seen as taking them out of contest. Mistakes are going to happen. I’m a human being.

My point is: so are you, and so is everybody else out there. I want to be treated like one, and so I make the attempt to treat others like one. Is it really that hard? Am I strange for wanting this? Has common courtesy somehow become taboo, uncool or downright lame?

Courtesy Uncle Sam Posters

No. It hasn’t. And nobody should feel that way.

I’ve gotten into arguments over games, stories, programming procedures, politics, religion, philosophy and the best variety of Pop Tarts. And some of those arguments have gotten pretty heated. But when it comes to an actual debate, even when I bring up a point that I know is going to be unpopular for one reason or another, it’s never my goal to piss anybody off, make anybody feel inadequate or ashamed to feel the way they do. I especially have zero interest in perpetuating the notion that disagreement and dissension should be met with blind hatred phrased in abusive language.

Now before I get into the meat of this, let me pause to say that some of the discourse I’ve had recently related to games and gaming has been balanced and respectful. It’s heartening to experience respect and debate on the Internet, but the unfortunate truth is that this feels more like the exception than the norm. And that’s a problem. I’m also not opposed to the use of profanity. I make precision F-strikes from time to time to get a point across. But using that language in a demeaning, personal attack is a far cry from using it to emphasize a point.

Let me give you an example, specifically regarding the word “faggot” or “fag.” For a lot of so-called gamers out there, if you present a counter-argument to the prevailing sentiment about a given game or aspect of gamer culture — the characterization of a video game’s protagonist or lack thereof, for example, or the virtures of an RPG or turn-based strategy game over the plethora of FPS games out there — you must be a “fanboy” of whatever side you’re percieved to be on. Additionally, it’s not only acceptable but encouraged to imply if not out-and-out state that as a “fanboy” you are automatically also that aforementioned f-word and all it implies. The reinforcement of a negative sterotype of a particular minority of humanity, the perpetuation of the acts that are wrapped up in that stereotype and the consequences desired by certain political and religious groups for being a part of or even associated with that minority have become the default reactionary response of these so-called gamers. In other words, if you were to say that Team Fortress 2 is a better multiplayer experience than Halo or Call of Duty, the default reactionary response of these gamers is that (a) you play Valve games to the exclusion of all other games to the point of obsession and (b) you should be burned alive for being so clearly deviant from the accepted norms of gamer society.

This behavior is absolutely fucking disgusting.

Courtesy Penny Arcade

Putting aside the fact that this sort of rabid defense of a given sub-strata of gaming makes these valiant defenders of whatever they’re defending just as much a “fanboy” as the object of their ire, the virulent vomiting of acidic homophobic or racist hate renders any sort of counter-point they want to make entirely worthless, if they have any point to make at all. People work personal attacks into their commentary all time, be it for the sake of comedy or lacking anything further to say of intellectual importance. And in the interest of full disclosure, in the context of gameplay, busting out the occasional “Your mom” joke when you’re among friends is pretty harmless — I’ve done it & will likely do it again. There’s no intent there to harm, which is a point I’ll revisit.

But in the context of discourse and debate, when all you do is attack the person making the point instead of the point itself, all you’re doing is proving just how aggressively juvenile and socially inept you are. Pointing out flaws in an opponent’s logic, citing sources that discredit their thesis, deconstructing their argument in a way that’s just as constructive for future talking points as it is furthering your point of view — that’s interesting, intelligent, thought-provoking and respectful discussion. Invoking lewd sex acts done by or to your opponent or their family isn’t any of those things, nor is it all that funny.

As I said before, busting out the occasional “So’s your face!” among friends is one thing. Constant, unrepentant and abusive behavior is quite another. Making fun of someone aiming to have everybody laughing, including the one being made fun of, is one thing. Spitting out derogatory remarks laced with profanity for the sake of proving your superiority is another. See what I’m getting at here? Are you picking up what I’m putting down? Does this make any sense to you whatsoever?

Gaming Cat
Another picture of one of my cats associating with games. It calms me.

I know it might seem hypocritical of me to be telling people how to behave and to knock off personal attacks in what is looking more and more like a personal attack, albeit directed at a number of anonymous people. But how else do we call attention to this fundamental flaw in our society? What other recourse do we have to point out how bad this makes us look as a community? Why should we continue to let this be accepted, encouraged and in some cases defended behavior?

We can, and should, do better. We have a whole lot of language we can use. We are fully capable of rendering our arguments in ways that are not personally insulting, potentially inflammatory or deliberately pejorative. And when you get right down to it, the words themselves are devoid of meaning other than those we give them. George Carlin, may he rest in peace, said the following regarding language:

There are no bad words. Bad thoughts. Bad intentions. And woooords.

So I’m not saying that certain words are taboo and should never, ever be used. Taking words out of parlance is tantamount to censorship, which I’m just as opposed to as I am treating other people like shit because they happen to disagree with you. What I’m driving at here is that, as gamers, we should respect the opinions of other individuals even when we disagree with them. If we want to be respected, we need to show respect to others in order to earn the respect we crave.

We are a culture of short attention spans and ever-emerging distractions. We’ll get fired up about something for a bit and then move on to the next big release, content update or point of contention. I’m afraid this will happen when it comes to this aspect of our society. If that means I need to jump up and down in my cage, thump my chest and throw some poo, so be it. After all, the only thing necessary for evil to succeed is for good people to do nothing.

Now, I’m not saying these gamers are evil. That’s just as wrong as all of the homophobia. I’m just reiterating the fact that this kind of behavior, from its roots deep in the insecurities of socially inept gamers to its manifestation as streams of profanity wrapped around racist and homophobic epithets with the intent of degrading an individual for the sake of elevating one’s own sense of self-worth, is completely unacceptable. It wouldn’t be tolerated to use these words with that intent to someone’s face, and it shouldn’t be across the Internet, either. If you engaged in this behavior around a gaming table where dice are being thrown, or while sitting on the couch as a guest in someone else’s home, it would not go on anywhere near as long or be anything close to this ‘accepted.’ In fact, you’d be sitting by yourself pretty damn fast in most public situations because nobody wants to associate with the dickhead who thinks it’s funny to imply people he doesn’t like should be burned alive.

Wil Wheaton says... (art courtesy Scott Kurtz, I think)

You can disagree with me if you like. You can even hate me for pointing this out, even though it’s been pointed out before. Send hate mail, engage in the very behavior I’m opposing, vote for projects other than mine out of spite, whatever. If that’s the price I have to pay for sticking my neck out in the name of common courtesy and asking that a level of decency be introduced to the interactions we have with one another as human beings sharing the same planet and trying to enjoy the same hobby, I’ll pay it gladly.

Our Heroes And Their Booze

Alcohol!

I was thinking about putting together a post on the death of the newspaper. I was going to invoke the classic film All The President’s Men and the more recent State of Play. I was then going to ask where journalistic integrity has gone. But now I realize that was going to go in a political direction and I promised I’d keep politics and religion out of the blog. That’s what WhineLiveJournal is for. Thanks to Chuck, I am no longer thinking of such things. I am, instead, thinking about booze.

They say you can tell a lot about a person by the alcohol they drink. I’m not entirely sure WHO says that, but I know it’s been said. The same goes for fictional characters, or at least I believe it should. Let’s look at a few to see how the saying holds up.

And if I just coined it, I want a dime any time anybody says it.

Courtesy Disney

Captain Jack Sparrow

It’s Talk Like A Pirate Day and I’m sparing ye… er, you the increased difficulty of reading this post in pirate-speak. Instead, let’s look at the chosen intoxicant of one of the craziest and coolest pirates ever to sail the Caribbean, Jack Sparrow. Sorry, that’s Captain Jack Sparrow.

Jack is defined by a question. Normally it’s not “Who am I?” or “Which magical MacGuffin will get us out of this particular mess?” No, that question usually is “Why is the rum gone?” Considering how much rum there was to be had in the West Indies, it’s not surprising this was Jack’s booze of choice. But what does it say about him?

Rum is distilled from sugarcane by-products, usually yielding a sweeter drink that’s more palatable on its own than, say, vodka or tequila. You don’t need to chase a shot of straight rum with salt and the juice of a lemon. Technically you don’t need to do that with tequila either, but I happen to be fond of my taste buds and would prefer them unscalded. Anyway, it’s easier to drink by itself and, as I mentioned, there was a lot of it floating around the West Indies during the time period in which the Pirates of the Caribbean films are set.

So it was easy to acquire, easy to drink, easy to carry around. Jack likes things easy. He doesn’t even need a big ship, technically speaking. The last shot in the last film is Jack, alone, in a little dinghy with a magic map and plenty of rum. No attachments, no worries, no responsibility. That’s Jack in a nutshell. Or a dinghy, rather. For all of his antics, spontaneous flashes of genius in concocting gambits and daring acts of heroism, he’d just as soon not be bothered. He’s concerned when the rum is gone not just because he’s without booze – it means he actually has to do shit.

Courtesy Universal Pictures

The Dude

Here’s a guy you’ll never see swinging on a rope, sword-fighting with Lovecraftian horrors or even pulling one over on the smarmy merchant prince who wants to put an end to piracy (explain again why this is a bad thing) – Jeff Lebowski. “The Dude”. The epitome of slackerhood. His drink of choice is the White Russian. The Caucasian. Damn close to the only alcoholic beverage my wife can stand.

She likes Woodchuck, though, so she does have good taste. Other than marrying Yours Truly.

Back to the Dude. His drink is a combination of vodka, coffee liqueur and half-and-half. Now, breaking these elements down, it’s a surprisingly effective mixture. Vodka is made from grain or potatoes, and as far as I’m concerned, is specifically designed to get you drunk as quickly and cheaply as possible. Even good vodka takes on the flavors of whatever you mix with it, meaning cheap vodka only tastes like vodka if you drink it straight. Mix it with something like coffee liqueur and you’re not only doubling the booze presence but covering up the turpentine-like vodka with something halfway palatable. The half-and-half smooths the drink out, giving it more of the creamy consistency of a glass of milk or an iced latte.

The Dude, then, knows he wants to get drunk but isn’t going to pound tequila shooters to do it. The most expensive item in the list is the liqueur and even that isn’t all that pricey. Somewhere along the line, he realized the best way to make a consistently drinkable alcoholic beverage and figured out the right mix so it comes out well every time. He’s a creature of habit, and more intelligent than he lets on. And even if he runs out of something, the grocery store still takes checks, right? The Dude abides.

Courtesy LionsGate

The Punisher

On the other side of things, we have Frank Castle. This isn’t really touched on in the comics, but in the first recent film, starring the somewhat underrated Thomas Jane, we see Frank drinking Wild Turkey straight from the bottle. A lot. His regimen of physical activity, such as blowing up bad guys and causing head trauma to assassins with a paper cutter blade keeps him from falling out of shape due to this habit. But for the taciturn Frank, the bourbon speaks volumes.

Bourbon is a corn derivative that’s usually pretty strong – 80 proof, or about 43% alcohol per volume. Wild Turkey is even more powerful, weighing in at 101 proof which puts at 50% apv. It’s also thoroughly American. Now, you can do things like mix it with Coke or water to dilute its potency, but the ‘manly’ thing to do is a straight shot. Or several in a row.

Clearly, then, Frank isn’t somebody who messes around. When he wants to get drunk, he does it fast and hard. The same way he takes down mob peons and destroys the lives of their bosses. He drinks his bourbon the way he shoots his guns – straight, fast and intent on maximum damage. Despite the fact he’s doing this damage to himself, we know he can take it because he is the motherfucking Punisher.

Courtesy LionsGate
Booze or no, I would not want to pick a fight with this guy.

Name a favorite character of yours whom you’ve seen boozing. What was the booze? What do you think it says about them?

Inception vs. Ocean’s Eleven

Courtesy Warner Bros

Once again a discussion on the Escapist has caused me to pit two films against one another in my metaphorical cage. Considering both are capers with teams of experts, I’ve had to weld extra grates onto the cage to contain all of the action. However, as I was hosing down the alien bits stuck to the cage from the last match, it was pointed out to me that picking the criteria myself waters down the credibility of the match. I know who I’d like to win, so objectivity is colored by choosing points of comparison where I know one film may be superior to the other. With that in mind, I turned to the Escapist and Twitter to help pick out the sticks I’ll be using to measure, and perhaps beat, these two films.

Continue reading

Doing Bad Things Well

Courtesy HBO

There are lots of stories out there with vampires in, but few keep me coming back for more. I only made it through the first few chapters of Twilight. I haven’t touched anything related to the Cirque du Freak. And as much as I think that the Coppola/Oldman Dracula from 1992 is something of an ur-text for how vampires should be portrayed, I only watch it every couple of years.

True Blood is different. It’s not just the fact that it’s doled out to us episodically or that it’s on HBO, if you know what I mean. I could point to broad things like “scary good writing” or “excellent production values” (the occasional botched special effect aside) but I think there’s more to it. Let’s sink our fangs in a bit deeper.

Realistic Relationships

Courtesy HBO

Now, obviously, I’m not referring to a relationship between a vampire and a girl who might be part fairy as ‘realistic’. What I mean is, the way Sookie and Bill deal with one another, the trials they face and the problems that occur strikes me as not only realistic, but mature.

These are two individuals who care very deeply for one another. And unlike some of the other manifestations of such a relationship that are out there, these two not only go to great lengths in an attempt to secure each others’ happiness, they also communicate their feelings to one another to the best of their ability. Sometimes the words come out all wrong, and sometimes Bill loses his mind from starvation and nearly kills Sookie, but this leads me to the thing that really underscores the power of this relationship.

They want to work together to make the relationship a lasting one, because they love each other that much. Even when Sookie is so mad at Bill she could spit nails, to the point of pushing him away, it’s clear she still feels every bit as intensely now as she did when she first met him. And Bill would step aside to let Sookie be with someone who could give her children and not drag her into the blood-drenched world of his kind, because he loves her deeply and cares more about her happiness than just about anything else. It’s a nuanced and well-developed relationship that continues to be realistic in its portrayal of those in the real world, rather than becoming a parody or worse, some form of moralizing. I’m looking at you, Ms. Meyer.

Positive, Deep Characters

Courtesy HBO

Let’s face it. “God hates fangs” is one letter away from being a very real and very disturbing messages some churches love to propagate. True Blood is something of an Aesop (albeit a broken one) for many minorities that are discriminated against. A lot of fiction out there prefers to play this discrimination or stereotype for laughs rather than give us a positive view of what these people are really like. For example, while there is some good stuff in The Birdcage, for the most part it’s a madcap comedy. True Blood went in a different direction than comedic representation from the very first episode, with Lafayette.

In the Southern Vampire Diaries, Lafayette’s something of a minor character. In the television series, he’s come to play a pretty important role in the goings-on. He’s unashamed of who he is, unafraid to put a few extra touches on himself to look gorgeous and definitely willing to throw punches at folk who have a problem with him being who he is. Now, the fact that he’s a drug dealer and occasionally puts on webcam shows of himself aren’t terribly positive aspects of the character, but he’s made it clear that he cares more about the people in his life – his cousin Tara, Sookie, his mother, etc – than any cash he might make. He’s a pretty stand-up guy, when you get right down to it, and he’s always around to talk sense into folk when they’re being dumb.

Most of the characters show this sort of depth, but… not all of them are positive.

Compelling Villains

Courtesy HBO

With the likes of Eric and Russell Edgington running around, it’s clear that True Blood isn’t interested in making their villains one-dimensional cackling characters in the mold of Snidely Whiplash. As the show progresses, the raising of the stakes comes with more interesting and difficult to predict antagonists. Neither of the affecting forces in the second season, Maryann or the Fellowship of the Sun, can really hold a candle to Russell Edgington. What will it mean, I wonder, if Eric actually manages to take Russell down? Will that make Eric, by default, the biggest vampire bad on the block?

It’s not even clear if Eric is a villain, per se. While he was clearly started as something of an antagonist towards Bill and Sookie’s idea of a quiet life together, he’s shifted into more of a gray area. He’s a bastard, sure, and manipulates people around him without much thought outside of himself most of the time. But he does care about things – Godric, Pam, avenging his mortal family who’ve been dead over a thousand years – and more than once shows that under the quiet, confident smirks and deadpan remarks is a character every bit as deep and complex as the protagonists. Whichever side of the fence Eric ends up on, be it that of our heroes or that of himself first and foremost, I’m definitely a fan.


Those are just a few reasons True Blood works as a tale with vampires in, and why people like me are tuning in every week. Of course, having vampires that look like this doesn’t hurt, either:

Courtesy HBO

Unfortunately I won’t be able to see tonight’s episode until around Wednesday. Hopefully I can avoid spoilers, but I am dying to know what happens after Mr. Edgington’s little telecast.

Being Critical

The Thinker

When I cross-posted yesterday’s review on the Escapist, a couple of people pointed out that the card game in that abyssmal movie was grossly misrepresented. Fair enough. Despite the fact that breaking the flow of the game to explain what a card is and does is actually something that happens all the time in actual collectible card games, I will concede I was perhaps a bit too harsh when I referred to the card game of Yu-Gi-Oh! as brain damaged.

I’ve played a few CCGs in my day. Magic: the Gathering, NetRunner, Vampire the Masquerade (remember when it was called Jyhad?), World of Warcraft, and even Dragonball Z. I know how these things work. It’s really, really difficult to make it interesting to someone viewing it from the outside with no interest in the game, and since Yu-Gi-Oh! never got my attention as a game, it sure wasn’t doing itself any favors in movie form.

However, that’s a subjective point of view. And some of the folks who have, with probably somewhat good intentions, brought up the merits of the game, are also viewing the work subjectively. Sometimes, if one remains in a subjective point of view, things like tentative references to other works, flimsy dialogue or plot contrivance can get past the radar since the subject is enamored with what’s been depicted in the work.

My goal in yesterday’s post, and in pretty much every IT CAME FROM NETFLIX! feature, is to do my utmost to remain objective. For the most part, there are things in a work that are going to make it good or bad for people as individuals. My mother isn’t a fan of gratuitous violence or excessive use of the F-bomb. So a movie like Pulp Fiction isn’t something she’s going to watch. However, that film does have objective merits that a good film should have: interesting characters, well-written dialogue, a good soundtrack and thoughtful direction. I and other critics might declare it “good”, but that doesn’t mean everyone’s going to see it. Car magazines might say an Aston Martin is a good car, but I’m not going to buy one. Mostly because I can’t afford it.

On the other hand, Avatar has, as objective merits, technical brilliance, a unique aesthetic, sweeping battle sequences and a decent performance here and there. However, it has a story that is at some times simplistic and others clearly drawing from other sources, as well as supporting characters that are somewhat shallow one-dimensional straw men for corporate greed, indigenous antagonism or American belligerence. From a subjective point of view, it’s difficult for me to forgive the story flaws and character problems because I’ve been working very hard to avoid those very things in my own works. Someone who isn’t neck deep in writing speculative fiction might be able to overlook those difficulties and judge the film as good based on its visuals and the composition of its action. And, really, I can’t say I’d fault anyone for that.

Being critical and attempting to see these things from an objective point of view is as much an exercise for my own work as it is inspiration from Confused Matthew or MovieBob. If I can take a step back from my work as a writer, view the objective merits of that work and make the changes necessary to correct any flaws I see, the work will be better for it. The catch is not to overlook flaws that exist just because I can’t bear to pull the trigger or see flaws where there are none because, let’s face it, we are all our own worst critics.

And if I keep editing instead of writing, this stuff I’ve written will never see the light of day.

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