Category: Opinion (page 6 of 18)

The Abuse of Opinion

Courtesy Penny Arcade

We live in a day and age where it can be scary to think for oneself.

This should not be the case. Today’s world is more connected and coherent than ever before. Some countries are still outside of certain loops, of course, and there are those individuals who simply refuse to participate in the new public consensus because they’d rather sit in their dark homes and reminisce about simpler times before everyone had Internet access and women so openly thought for themselves. This constantly evolving society continues to grow as more people share, confer, and disagree with one another.

It’s those disagreements, however, that can make things a bit scary.

Each individual has the right to maintain their own opinion. It’s a simple fact. And it’s also a fact that not everybody is going to share that opinion. When someone is in a position to transmit that opinion, it would be ludicrous to assume that all recipients of said transmission are going to agree. The mature thing to do is accept or discuss those disagreements and, at the very least, part ways with the understanding that individuals differ. And yet, this is how wars get started. This is how accusations are lobbed against skilled professionals. This is how young people feel so trapped and isolated that they’d rather take their own lives than face the people who disagree with them. We have the right to disagree with one another. Seeking to harm one another over a disagreement is another matter entirely.

It seems to me that there’s a lot of this going around. It’s becoming unfortunately rare for the response to a stated interpretation of a fact or a broadcasted opinion to simply be: “I disagree, and here’s why.” More often that not it’s accompanied with some form of dismissal or derision. “This person’s getting paid to say the product is better than it is.” “They’re being overly sensitive feminazis over something that is actually empowering to women.” “These people are going to burn in Hell for not believing the universe was created over 144 hours.” “Little Jimmy has simply been brainwashed by the liberal media and it’s our job as his community to pray, shout, and beat the gay away.”

Each of these stances, and those like them, are knee-jerk, immature, misguided, and ultimately destructive. They’re all born from fears. Resorting to accusations of bribery, dismissal of progress, condemnation, shaming, and violence is clear indication that the opinion being promoted in this way is too weak to stand on its own. Subjective viewpoints and individual experiences do not constitute irrefutable evidence. Resorting to the aforementioned weapons of the ignorant is, unfortunately, easier than forming one’s own opinion based on the evidence that does exist, even if does at the very least make you sound like an entitled or bigoted moron.

Yet these moronic voices are so loud, so prevalent, and so forceful as to make the venturing of an opinion frightening for some. Professionals do their utmost to maintain their opinions in the face of such stupidity, and God bless them for it. There is support out there for kids who feel bullied based on something they’ve said or the way they live. But it’s still pretty scary. You can ignore some of the stupidity up to a point, but there’s always the chance that insecure jerks looking for power and validation will flock to some focal point of negativity just to be part of this damaged culture, and rather than adding an individual viewpoint or piece of evidence to support the dissension, the newcomers just lob words at the target intended to harm, like “whore”, or “heathen”, or “faggot”.

It’s very difficult for me to get into the mindset of hating an individual. Yes, I can get upset at being cut off in traffic or someone out-performing me in a game, but these things pass. I can’t even say I hate the individuals to whom I’m referring that participate in this stupid and damaging behavior. I hate the behavior itself. I hate the culture that looks down on intellectualism and enlightened opinions. I hate the fact that I continually see professionals I respect dealing with or suffering because of this behavior. I hate the fact that children kill themselves because they get bullied. I hate the fact that people in the 21st century don’t realize the world has changed and some ideas just need to be left in the past.

I am an individual. I believe what I choose to believe. You have no obligation to believe the same things I do. And if you don’t, that’s cool. You don’t have to like everything I like. You can adore something I despise. It’s part of what makes the world a beautiful and interesting place in which to live. We all deserve to be treated like human beings, and if you treat me like one I promise I’ll do the same for you.

Just stop abusing your opinion. You are ultimately not helping your case. And, in the end, it makes you look really fucking dumb.

Let Go Of Your Hate

Courtesy LucasArts

Star Wars, as a franchise, is just a bit older than I am. I’ve gone through phases where I’ve loved it dearly and loathed its existence. I’ve appreciated the ability George Lucas had to conceptualize a universe that felt lived in and diverse, and palmed my face at the utterly stupid things he made come out of the mouths of his characters. And in this cynical, Internet-fueled, post-Plinkett world of critics and criticism, it’s trendy to hate on things, older things being remade even moreso, and Star Wars most of all.

But is it really worth hating?

I mean, yes, Lucas going against the final product he originally gave the world in ’77 is utter bullshit. And there are some monumentally stupid decisions that were made in Attack of the Clones. But let’s rewind the clock. Come back 13 years with me to the premiere of The Phantom Menace in theaters. I wasn’t as experienced, hardened or jaded as I am now; I’d yet to go through a few experiences that lead me to who I am today. However, I still tended to watch movies with the mindset that if the things I liked outweighed the things I didn’t, I’d declare it an overall success. Since it was harder for me to focus on aspects I disliked, I maintained my focus on Liam Neeson, Ewan MacGregor, Natalie Portman and the lightsaber fighting more than I did Jar Jar, Jake Lloyd, the tedious plot points and the tepid, stilted dialog. In fact, when I saw the movie for the first time, I liked it.

Yes. I liked The Phantom Menace when it first came out. And there’s no reason I should be ashamed of that.

I know I’ve pointed you in the direction of a certain Z-list Internet celebrity several times, so this may come as something of a surprise. But I don’t always agree with Bob Chipman. I don’t like G.I. Joe: The Rise of Cobra as much as he did, I think he can get a bit nitpicky when it comes to superhero movie hype (then again, somebody has to as we can’t all be gushing fanboys) and I don’t quite understand the sheer amount of bile he continues to spew at first-person shooter video games. However, I highly recommend you check out his episode of Escape to the Movies where he discusses The Phantom Menace and why hating on it is a zero sum game.

In addition to all of that, there is a part of me that loves pulp adventure without a hint of irony, especially pulp science fiction and fantasy. I know that Flash Gordon and Krull are cheesy as hell, and there are elements of Stargate and the new Star Trek that go for broad, somewhat shallow action and adventure instead of deep character-driven introspection. I’m okay with that. In fact, I think that when we eschew that sort of entertainment entirely we lose some of the whimsy that gave rise to science fiction and fantasy in the first place. And The Phantom Menace had that.

Yeah, the kid’s acting was wooden, a couple story points were unnecessary or tedious, making the Trade Federation obvious stereotypes was an ignorant move and I still want to flatten Jar Jar with a cricket bat. But when the movie stops trying to tie into existing Star Wars canon while ignoring the hard work and imaginations of its own expanded universe and just lets itself be Star Wars, it’s fun. Chases though space ships are fun. Duels with laser swords are fun. Big, flashy space battles are fun. These are the things that Lucas showed us way back in the original Star Wars (I guess I should give up and just call it A New Hope), and The Phantom Menace tapped into that whenever it stopped getting in its own way.

It’s not great. In fact, it’s kind of mediocre. I’d still watch any of the aforementioned movies before The Phantom Menace. But I think it’s better than we’ve let ourselves remember. I think we should weigh the good as well as the bad. I think it’s time we let go of our hate.

And Loki Wept

Courtesy Marvel Studios
We needed to see more of that smirk.

I’ve now seen Thor twice. And while I stand by my assessment that it’s an enjoyable if simplistic fantasy romp, I’d be lying if I didn’t hold the likes of Captain America, X-Men: First Class and Spider-Man 2 as higher in the Marvel movie line-up. The Avengers has me hopeful, especially in light of the release of the trailer yesterday, but I must admit that something’s bothering me about the Asgardian aspect of it.

I still think that casting and presenting the Marvel Universe’s iteration of the Norse pantheon the way they did was bold in concept and competent in execution. But, thinking about it, there’s something huge I would have changed to make it more than just decent. If Marvel had done this, either back in the Lee/Kirby days or under Kenneth Brannagh, the end result would, I feel, have been fantastic.

The problem, you see, is Loki.

Tom Hiddleston played Thor’s half-brother and the lord of lies in the film. I don’t want to take anything away from Tom, as he did well with what he was given. But the true tragedy is this. The writers of the movie adaptation of Thor characterized him like this:

Courtesy DEG

…when, really, Loki should be more like this:

Courtesy
Courtesy the excellent xeedee

For those of you who don’t know, that’s the representation of Coyote from the excellent webcomic Gunnerkrigg Court (which you really should be reading). Coyote is a trickster. He speaks honestly, but doesn’t always tell the truth. He never comes across as jealous of anybody else’s station, powers or prestige, only asserts his own will when necessary and contents himself with engaging in playful banter, timeless stories, cryptic but informative riddles and the occasional well-meaning bit of lechery.

In other words… he kicks ass.

Loki and Coyote, traditionally, have a great deal in common. They are characters who get by on clever wit and fast thinking alone, rarely engaging in direct confrontations unless it can’t be helped. Loki was known in his myths for mischief and lies, not because he was malevolent but because he was the antithesis of many stoic, straight-forward, unsmiling Aesir, including Thor. His cunning was supported by a massive set of godly testicles – after all, who but Loki would have the balls to put Thor in a wedding gown? (That’s a long story.) His motivations are largely unknown, making him a complex and perplexing but still compelling character for scholars of folklore as well as for his fellow members of the Norse pantheon.

Not the sort to blatantly make a grab for power no matter how darkly charismatic he is.

I’m not against taking old myths in new directions. I’ve got an anthology sitting here that says I’m fine with that. What I’m against is undermining a good story turn for an easy one. Making Loki into a jealous step-brother with the straightforward ambitions and motivations of a dime store Bond villain doesn’t sit well with me upon reflection. The frustrating part is, there are moments in the film where so much more could have been done with him.

Take his scene with Thor in the interrogation room. There’s good tension, emotion and chemistry there. Instead of being part of a megalomaniacal master plan for Asgardian domination, however, this could have instead been a ruse on Loki’s part to help teach Thor some much-needed humility. Perhaps even discussed with Odin before slipping into the Odinsleep? Wouldn’t Loki think twice about what he said when the Jotun find a way into Asgard in force?

Speaking of which, instead of some sort of convoluted traitor/backstab ploy, have the Jotun ally with, say, dark craftsfolk from Svartalfaheim to accelerate Ragnarok or piss on Odin or something. Let Loki suss this alliance out when he goes to speak to his birth-father (which should be a shock, as Loki can easily assume Aesir form and others to blend in anywhere he goes). No need to send the Destroyer to Earth to try and kill Thor, either… there are a dozen ways to put Thor at Hel’s doorway and prove himself worthy of Mjolnir without Loki needing to drop one on Midgard. Perhaps in his exchange with Laufey, Loki indicates Thor is on Earth, and Fafnir overhears this and finds a way to try and assassinate the thunder god.

I’m just spinning ideas off of the top of my head, here. My point is that Loki could have been so much more than Marvel’s masters made him out to be. Even in previous Marvel appearances, particularly in the Asgardian Wars arc that set the X-Men against him, Loki was never a transparently evil villain. He wheeled and dealed. He operated on veiled promises and half-truths. Rarely did he raise his own hand against any of the heroes, and his goal in doing so was almost always temptation or subversion instead of outright destruction. The more I think about it, the more I realize the cinematic Loki has been done a disservice, and I find it hard to believe that Marvel could have gotten the character so wrong, in my opinion.

I have no doubt Tom will continue to bring at least some mischief and aplomb to the part, but I think when Loki looks down from Asgard to see what we’ve made of him, he’ll either laugh… or weep.

Trek Through Trek: The Next Generation

Trek

It’s coming up on two years since I last wrote in-depth about a Star Trek series. And it was even longer between our last discussion, on The Animated Series, and the return of Star Trek in the late 80s. I was 8 when Star Trek: The Next Generation premiered, and sitting down with my parents to see the 24th century come to life pretty much blew my fool mind. Looking back, there’s still a lot to love about the show, but it had more than its share of growing pains.

Courtesy Memory Alpha

The starship was still named Enterprise, but this vessel and crew were a far cry from the rickety Wagon Train to the Stars we saw back in the 60s. No, this was a more advanced time, when mankind went to space in floating shopping malls. But don’t use that word, because the United Federation of Planets (or Earth at least) has evolved past the necessity for things like money and material goods! When you can replicate or reproduce via holodeck just about anything you’d want, I guess money sort of becomes obsolete. Not that it stops other races from using money, like the Ferengi.

We can’t talk about antagonists without protagonists, though, so let’s start with the man in charge. Captain Jean-Luc Picard is not a two-fisted adventurer like Kirk. He’s a diplomat, strategist and history nut charged with exploring the edges of the galaxy on one of the best ships in Starfleet. Most of the adventuring, lady-bedding and quipping is done by first officer Will Riker, from whom we learned the power of growing the beard. Once he let that chin curtain set in around season 2, the show began to improve.

Good thing, too, because for a while things floundered a bit. It took the show a few years to figure out what to do with Worf, and even longer to finally write Wesley Crusher off of the show. Creative differences required them to replace the chief medical officer in season 2, which caused such an outcry that they all but begged Wesley’s mom to come back. And the ship’s counselor had to find things to do during episodes outside of pouting her lips and moaning about how much pain the crew was in. Seriously, go back and watch a few season 1 episodes. You’ll either laugh or cry.

Courtesy Memory Alpha

Season 1 also floundered a bit with the character of Q. Introduced in the pilot, the writers seemed to have difficulty deciding if he would be a distant, authoritarian judge with omnipotent powers, or a trickster spirit in the vein of Coyote, Loki or Mister Mxyzptlk. It would be a few seasons before he settled into something of an odd mix, but developing a relationship with Picard I’ve discussed at length previously.

While the new series did bring over the old foes of the Klingons and the Romulans, the Klingons were now allied with the Federation (as evidenced by Worf being on the bridge) and the Romulans kept to the shadows. We were, instead, introduced to the Ferengi, who thankfully were evolved beyond base, venial savagery quickly into profiteering, scheming chaotic neutral scavenger-merchants; the Cardassians, an authoritarian but charismatic people who clash with the Federation ideals of fair justice and individual freedom; and the Borg, a cybernetic hive-mind race bent on the assimilation of all technology they do not already possess.

While the Ferengi and the Cardassians don’t really come into their own in Next Generation, the groundwork is laid for later development. And on its own, Next Generation is nothing to sneeze at. The crew does have good chemistry and their performances and staying power allowed them to rise to the realm of Kirk and Spock, overcoming the walls of genre fiction to be recognized by the mainstream. It delivers powerful stories within its own universe (“Best of Both Worlds, Part I & II”, “Cause & Effect”), and plays well on themes of individuality (“I, Borg”), willpower (“Chain of Command, Part II”), the precious nature of the moments of our lives (“Tapestry”) and unique ways to explore the human condition (“The Inner Light.”).

The best of the series, I feel, emerged when it shook off the trappings of the old series and attempts at overt preaching. “The Naked Now” was a shameless callback to a weaker Original Series episode, “The Neutral Zone” had a misfired treatise on materialism competing with some more interesting things and episodes like “Justice” and “Code of Honor” were full of unfortunate implications as well as showing some of the seams in the budget of the show. Some of these things faded more quickly than others, and towards the end of the series the spectre of technobabble began to creep into the dialog of these characters we came to know and love over seven seasons.

Courtesy Memory Alpha

As I mentioned, Next Generation rose to similar heights to the original Star Trek series in the eyes of the general public. Most folks who know who Kirk and Spock are also know about Picard and Data. The success of the series paved the way for more feature films and several new series. One of which I’m in the process of watching again as I write this. And by “watching”, I mean “watching my mailbox and hoping the next disc doesn’t get lost the way those Magic cards did. CURSE YOU USPS!”

I mean. Er. “Make it so.” Or something.

Kids These Days & Their Stories

Newspaper
Columnist on WSJ is a jackass! Read all about it!

Plenty has already been said about this WSJ article pertaining to young adult fiction. As usual, Chuck has written what we’re all thinking with an extra dose of profanity and buckshot. Instead of adding more fuel to the fire by talking about how wrong this opinion is, I’d like to furnish you with an example of contemporary fiction, aimed at a younger audience, that works effectively and is well-written without being saccharine-sweet and ‘safe’ all the time.

The example is My Little Pony: Friendship is Magic.

… Yes, I watch My Little Pony. Get it out of your system now.

Anyway, I vaguely remember the original cartoon from the ’80s. My sisters were into it. I was more of a mind for Transformers, as I’ve mentioned, because robots that become cars and change back were far more gnarly than girly ponies. I was too young to pay attention to things like plot (which was non-existent), characters (who only rose above ‘broad archetype’ on rare occasions) and Aesops (that got beaten into your soft heads every episode) when things were exploding in a colorful fashion. But that was kid’s programming back then. It was safe.

Fast forward about twenty-five years and some hard-learned lessons about what does and does not make for good storytelling. When I was first made aware of the new Ponies, I was skeptical. I’d seen what they’d done to Star Wars and my beloved Transformers, after all, and besides it was ponies. I didn’t indulge or even glance at the show for the longest time. Then my wife got into it. I figured I’d try at least one episode, make her happy, secure the future of my sex life, maybe have a laugh.

I wasn’t expecting to get hooked.

I wasn’t expecting good characterization. I wasn’t expecting well-done animation and decent voice-acting. I wasn’t expecting legitimately funny, frustrating, joyous and touching moments.

And I certainly wasn’t expecting dragons, hydras, a cockatrice or a griffon so bitchy I’ve never wanted to roast a lion-bird on a spit so much in my gorram life.

My Little Pony isn’t afraid to go shady places. It deals with jealousy (a lot, I guess that’s a problem for girls growing up), isolation, growth from childhood to adolescence to young adulthood, fear and even crisis management and racism, all in the context of the magical kingdom of Equestria and without being terribly overt or insensitive about things. Sure, there’s an Aesop every episode but they range from mildly anvilicious to rather well-presented. I mean, they do a Clients from Hell episode. I wasn’t all that inclined to like Rarity (the seamstress unicorn) but watching her put up with the demands of her friends as customers made me a lot more sympathetic and that feeling hasn’t gone away. Clients suck, whether you’re building websites or magically assembling pretty dresses for your pony friends.

Courtesy Hasbro
She’s not a shopaholic. She’s an artist. HUGE difference.

…Where was I? Right, children’s lit.

My point, other than these ponies being awesome, is that the show and its writers go into the darker corners of a girl’s adolescence and drag some pretty nasty issues kicking and screaming into the light so that the girls in question can face them without fear or shame. As I said, some of the Aesop-dispensing is a tad on the overt side, but when this show cooks it does so with gas as well as gusto. The relationships of its characters, the way they handle situations and the delivery of their lines is handled so adeptly and consistently that I can’t help but feel very strongly about the show. This is how children’s entertainment should work. This is how you write young adult lit well without sacrificing decent characterization, complex themes and dark subject matter.

The writers and animators of My Little Pony: Friendship is Magic are wise in that they handle their stories in this way, and also in the way they keep the humor working on levels other than juvenile slapstick for any adults that watch and in the very adept and clever ways in which they handle character relationships and their reactions to the subjects at hand. While some cartoons and even major motion pictures and triple-A video games look at writing as a necessary evil to string together a series of flashy spectacles, this show knows its writing is the foundation upon which its appeal and meaning are built. Those other, flashier, more ‘masculine’ forms of entertainment could take a lesson or two of their own from this humble, pretty, bright and very awesome girl’s cartoon.

Now, if you’ll excuse me, I’m going to go do something manly. Like bench-press something, or drink really crappy beer while yelling obscenities at a sporting event.

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