Category: Writing (page 26 of 81)

Failure to Carve

Courtesy floating robes
Courtesy Floating Robes

A question that I’ve seen asked of those in my profession is, “How do you know if you’re a writer?”

To answer, let me give you a real-life example of what it feels like.

The last few days have been, for me, alternating exercises in fatigue and frustration. Difficulties I’ve been dealing with for weeks are so tantalizingly close to resolving themselves, and I find myself both wanting to push harder to get the results I’m after and holding back for fear of being a selfish prick. Add the dayjob workload and maintaining things around the apartment, and you get a recipe for wanting to do exactly zero when you finally have a little time to yourself.

This is incredibly frustrating to me because I know that should be my time to write.

Disapproving voices would tell me to write anyway, regardless of how tired or worn out or seethingly furious I might feel. I know. I’m one of those voices. I need to bite that bullet, make more coffee or chai, put on good tunes that shut out the world, and plunge into the word mines. There’s no other way they’re going to get written. It’s down to me, no compromises, no excuses. If I write, I write; if I don’t, I fail.

The gnawing, growling, nigh-constant feeling of irritation at my own inability to maintain high energy levels is how I know I’m a writer. If I cared less about it, if I didn’t have faith in my abilities, I’d cut the stressor from my life and stop worrying about it. But I can’t. I won’t. The need to tell stories and give people the gift of escape to another world, other lives, a new experience or even just some distraction from what’s in front of them is too great to be ignored, set aside, or discarded. The spirit is willing, and angry, and full of notions and dreams. The flesh is weak, and flabbier than I’d like, and smells funny if I don’t bathe often enough.

I’m going to try and turn this around. I can’t be on the bad end of bullshit forever. I’m sharpening my knives and inking my pens.

You can knock me down, sure.

But there’s no way in hell I’m staying down.

Dad Bias

My father at his 65th birthday party

This weekend turned out to be busier than I thought it would be. Hence, no flash fiction until tomorrow. And it’s going to be difficult for me. I have to write about a “bad dad”. I have to say my exposure to examples that I can relate to personally is somewhat limited, because I’ve been blessed with pretty fantastic parents.

My father’s birthday fell on the same day as Father’s Day this year. Saturday for his gift I kidnapped him to the movies (my review of said movie goes up tomorrow). Sunday there was a surprise party in his honor. Nobody hid behind furniture or anything; friends just showed up at random throughout the late afternoon bringing food and goodwill, and much to my mother’s relief, everything went off without a hitch. Dad was quite surprised and delighted.

To me, my parents have always been a big part of my life. There was a time when I was so invested in having them favorably disposed towards me I imagined they had certain expectations for my life. The decisions I made as a result of that were in no way, shape, or form their fault, as (a) said expectations didn’t exist, and (b) I was never completely out of control of my actions. It was still something of a revelation to hear my mother and father both say “We just want you to be happy, whatever that means for you.”

I do what I can to imagine other individuals complexly and understand their circumstances, but it’s very difficult for me to comprehend a parent who does not have this attitude towards their child. I cannot claim to have any great shakes at being a father myself. I constantly ask myself “Is this enough? What more can I do? What more should I do?”

I compare myself to my father in these terms and I feel myself coming up woefully short. I have to remind myself that my circumstances are not his, my life is not his, and the future is more important than the past. I can’t undo the mistakes I’ve made; all I can do is learn what I can and do my best not to make new ones.

Anyway, the point is, I don’t want my bad dad story to be autobiographical or too heavy-handed. That’s the writerly challenge in front of me now.

That, and actually finishing Cold Streets sometime this year.

Wordy Deluge

Rainy commute

One of my least favorite things to do is deal with traffic. I like to drive, under most circumstances; I’m still enamored with the open road, music turned up, a bit of a breeze in my hair. Call me a romantic. But stuck in stop-and-go traffic, bumper to bumper, with people generally being unpleasant as we struggle to move a few feet closer to our destination; it’s not my cuppa, so to speak. I tend to get a bit agitated, in turn, by the rudeness of other drivers or the interminability of the waiting or some other circumstance that creeps into my mind; my own frustrations coupled with those of the drivers around me creates a very unfortunate negative feedback loop. I’ve been trying to break it lately, because sometimes, you just have to keep your hands on the wheel and move forward as much as you can whenever you can.

This is especially true in inclement weather. It makes an already difficult task – commuting by car – even more taxing, not to mention dangerous. Some might even avoid it entirely. Yet it’s something that must be done, more often than not, and it requires patience, time, and perseverance. You may not feel up to it, you may even put it off or try to avoid it, but if you want to succeed, it must be done.

See where I’m going with this?

Writing is work. More often than not, it’s hard work. It devours time, saps energy, drains creativity, and shuts out other people and activities. It’s an extremely solitary thing, and it can take a toll. You may feel like putting it off, but the fact of the matter is it must be done if you have a story to tell. Nobody else can tell it for you.

So get behind that writerly wheel, grab some water for the road, navigate into the traffic of your ongoing narrative, and make your way through the wordy deluge. Much like needing to make a space to get your car into the road, you have to make the time to write. Do you have plenty of gas (food)? Are you the kind of person who needs to crank the tunes, or do you prefer it quiet in your car (headspace)? Whatever you need to do to make the words happen, go and do that.

I’ll be taking my own advice tonight, and if I see you on the road, I’ll be sure to wave.

Writer Report: The Wall

Courtesy floating robes
Courtesy Floating Robes

It’s been said before, and I’ll go ahead and say it again: You have to fight for your time to write. You have to carve it out of your day with a butcher’s cleaver and a variety of other sharp objects. You need to covet those bloody chunks and make the most of every messy, succulent bite. If you can’t do that, you won’t make it as a writer.

It’s been hit and miss for me the last week or two. I’m hopefully going to see the tail end of a situation or two in the very near future, and I’m hoping that will ratchet down some of my stress. I have a lot on my plate, and I’m trying to manage things the best way I know how.

Last week I felt a bit like I’d hit ‘the wall’ that cyclists and runners talk about. I just ran headlong into a feeling of inadequacy and self-doubt after a couple days of near giddiness. There was a time that such a downturn would have crippled me for a long time. But I stopped and considered it. I wrote about it. I kept up with exercise, made some plans, looked ahead to the future, and got back to work on Cold Streets. I can’t say things are 100% improved, but they are better, and I’m making progress.

It’s my hope that Cold Streets will be done by the end of the summer, and I can get in touch with my lovely and talented cover art folks to put something together so it hits virtual shelves by the end of the year. I’m still not sure exactly how to organize everything, from my time to my project priorities, but I know it’s something I really need to do.

Basically, the way I handled that wall was smashing through it.

OH YEAH!

The Plight of Icarus

Icarus, by Alexis Lane Shepard
Icarus, by Alexis Lane Shepard

Last week I spoke about failure. It’s going to be inevitable. And as much as I or others may tell you that tomorrow will be better, you shouldn’t give up, the obstacles can still be overcome – failure hurts.

We stumble and we fall, and the hardest of these scrapes can come when we’re striving more than we have before. There are times when we do more than just what we can. Envelopes must be pushed for progress to be made. Eggs have to break to make breakfast. All of these things require sacrifice… and all of them can and will be costly.

There’s a classic story in Greek mythology of Icarus, son of a brilliant inventor, who tried to fly higher and faster than anyone or anything had before. For his hubris, his wings were melted and destroyed, and he fell miles and miles to his violent death. To this day, people use “so-and-so flew too close to the sun” as shorthand for someone who pushed a boundary just a bit too far.

Writers fly too close to the sun all the time. New concepts are shoved bodily towards store shelves. Beloved characters are violently murdered. Plots take unexpected turns that cause people to stop reading altogether. Some of this can be the result of poor planning or bad writing, but when the writing is executed well and remains true to the essence of the work, and people produce that strong of an emotional response, the effort involved and the risk taken can be considered worthwhile.

There are some who many not take the risk in the first place.

It’s a form of overexposure. It’s a step too far, into uncharted or even dangerous territory. And it doesn’t always pay off. It can backfire. It can turn loyal readers into vocal critics, and vindicate the opinions of naysayers. It can close lines of communication that were once opened, drastically alter the opinions of others, maybe even damage friendships.

Such action may not always be worth it outside of creative endeavors. But I argue that it is always worth taking a risk when creating something new.

Notice that I said that these things can happen. That does not necessarily mean that they will happen. Nothing is inevitable. The old adage “You never know until you try” comes to mind. And consider the fact that some of our most beloved stories come from people who weren’t afraid to take this sort of risk. J.K. Rowling set a coming of age story in the arcane world of boarding schools and cloaked it in the fantastical trappings of magic. George RR Martin takes the pageantry and treachery of medieval Europe and lets it simmer in a slow-cooker right next to heavily implied magic and pretty gratuitous sex and violence. Jim Butcher wrote an entire novel in which his main character, beloved by millions, was dead. Salinger refused to have Catcher in the Rye adapted for film and took shots at our image-saturated culture every chance he got. Over and over again, authors are told “You can’t do that!” and, over and over again, they do it anyway.

You may get burnt. You may lose a part of yourself. You may even fall farther than you’d like.

Or you can play it safe, and never make anything amazing happen.

Your call.

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