Category: Writing (page 58 of 81)

Kindle-ing

Courtesy The Next Web

The story of how I acquired a Kindle is best told in person, so it will not be reiterated here. Having spent about a week with the device, I can safely draw two conclusions about it:

Yes, it’s a great way to get books & stories to people on the cheap with convenience and a bit of flair.

No, it will not replace printed books.

In a bit more detail, e-readers like the Kindle have made it easier than ever for people to both produce and acquire new stories to enjoy. The readers (the people, not the devices) can access libraries of books, reams of text, from just about anywhere, even on the 3G-less WiFi versions. Catering to a wide variety of tastes and interests just like your local bookstore does, without the hassle of actually travelling to and from said store while balanced with a lack of things I’ll get to later.

As for the writer, those interested in making a foray into self-publishing have never had it more easy. You can finish a final draft (or what you think is a final draft), set a price point, hit Upload and BAM, instant readership. Only that’s a lie. You need to promote the work yourself, without the help of others from a publishing firm or an agency. And speaking of agencies, unless you hire an editor (other than your mother) it’s unlikely you’ll get many favorable reviews to help drive your sales. This is also a problem for those authors that do edit their work, because for every well-polished gems there’s at least a couple dozen unrefined turds sitting in the e-store. Which leads us back to promotion and marketing of one’s own work. Self-publishing’s been discussed more extensively elsewhere, so point your eyeballs in this direction for more on that.

As to why the Kindle will never replace the actual printed word, as much as I appreciate the convenience of firing up the device to pick up Margaret Atwood’s Oryx and Crake exactly where I left off, I do find myself missing the heft, the reality, of a real book in my hands, especially when it’s a book on the Song of Ice and Fire scale. Sure, it’s more convenient for flights and busses and whatnot, and this might be yet another indication that I’m quite the old fart, but the weight of an actual text is something of a comfort. I’ve been interested in the written word for as long as I can remember, and as much as I’m glad to see technology like the Kindle around, I’m not going to give up buying actual books any time soon.

After all, when December rolls around and the cataclysm takes place that rends modern society asunder, we won’t have much power for Kindles and we’ll need to rely on old-fashioned dead trees, won’t we? And not just for reading.

I say we burn the books of Stephanie Meyer, Richard Knaak and Glenn Beck first. Gotta cook our post-apocalyptic mutant rat steaks somehow, right?

Never Give Up, Never Surrender

Courtesy CynicalBrit
Some people declare “GG” the moment the bad guys break into their bases. Would you?

Handling rejection means more than just sending out more queries. It becomes more of an over-arching attitude, a modus operandi for the creative mind. At least, it should, in my humble opinion.

Case in point: StarCraft 2. Now, I know, a game is not reality, not meant to be taken seriously, etc. But a lot of people tend to quit the game, either on a match basis or altogether, when their strategies fall apart or they simply get their ass kicked repeatedly. However, TotalBiscuit used the Galaxy Quest phrase “Never give up, never surrender” to frame his latest I Suck At StarCraft installment. I highly recommend this series, by the way, if you have even a passing interest in the game. You’ll learn quite a bit, about both the game and how to play it properly.

I know that this particular turn of phrase comes from a movie that’s more a comedy than anything else, but “Never give up, never surrender” is no less a good attitude regardless of its origins. And it applies to things beyond intergalactic combat.

Here’s another example: when you apply for a job, you have to accept that you might not get picked to fill the position. But that doesn’t mean that there’s nothing left to do when you get turned down. There’s no harm in thanking your interviewer for their time, and asking about other opportunities they might be aware of. Never burn a bridge that might lead you to new places – never give up, never surrender.

And of course, this applies to the writing world. I’ve touched on rejection in the past. But dealing with it using this attitude works pretty well when you think about it. Running into criticism even if it’s constructive or cold form rejections can be a demoralizing, soul-sapping experience. But when you feel this way, pop Galaxy Quest into your mind and repeat the mantra “Never give up, never surrender” until you start churning out more queries.

You’re going to wipe on bosses in MMOs. You’re going to be told your services are no longer required by a seemingly unsympathetic employer. Bills are going to come to your door, bad news will assault your eyes and ears, people will outstrip you in terms of success and salary and gadgetry. When these things happen, some will completely shut down and some will rage against the heavens. Dropping out, ragequitting, misdirection of frustration, all of these things can and do happen.

It’s better, however, not to give up. Use that frustration, don’t let it use you. Learn from your mistakes, refine the things that make you stand out, and promote those things in a positive way. Sooner or later, it’ll break you through to the next level and you’ll be in a much better position to keep moving forward. All because you didn’t surrender.

That’s my perspective, at least. Here’s hoping I don’t lose sight of it.

The Reality of Fantasy

Courtesy HBO

Fair warning, would-be writers: if you’re good at what you do, somebody somewhere’s going to want to hurt you.

Having finished George RR Martin’s A Storm of Swords last night, more than once I wanted to reach through the pages, grab the man by the beard and give him a couple of shakes for what he was doing to his characters. At the same time, though, I understood why I felt this way and why it was a good thing. He’s introduced and developed these people in such a way that we can’t help but care about them. He also knows that tragedy is nothing without comedy, and balances the beard-throttling moments with ones that nearly had me in tears, either from heartwarming relief or genuine laughter.

This is, honestly, something toward which every author of fiction should aspire. Especially in a genre like fantasy.

The entire series of A Song of Ice and Fire is an evolving ur-example of several things writers should do, and at least one they should avoid. The problem with a lot of fantasy books and stories is that the fantastical elements take center stage. If your hero is only interesting because he’s “the chosen one” meaning he’ll be riding dragons, overthrowing evil sorcerer-dictators and making out with hot elf chicks (because every fantasy protagonist needs a hot elf chick, right?), he’s not all that interesting. Now, if he’s a disenfranchised son of a noble jerkass who didn’t raise him entirely right, or if the dragon he’s ‘destined’ to ride doesn’t want anything to do with him beyond perhaps eating him, or if he is, in fact, a she… that changes things.

I firmly believe that characters are the foundation of any good story. Sure, you might have a neat premise or background for your narrative, the idea of turning genres on their ears or taking an old story in a new direction, but without good, solid characters it’s going to be a lot of sound and fury. When you’re getting ready to start down the track of telling a story, take the time to develop your characters beforehand. Give them backgrounds, envision their family lives before the story begins, draw their connections to one another. As the story proceeds, let them develop on their own. Rather than determining every single reaction beforehand, try letting the reactions grow out of the action as you write it. I think you’ll find the results surprising, and it will let the narrative become its own creature, free of the expectations of whatever genre you happen to be in.

Of course, this could be an entirely backwards way to do things. I still don’t think fantasy should be all about the sword and sorcery. The story’s true power and magic come from the people weilding those swords, and casting those spells.

If you want to cast a spell of your own, look to your characters first.

Snowblind

I’m a little sore.

Mostly it’s from being behind the wheel for the better part of twelve hours, but some of that time was occupied with attempting to get my car out of a ditch. A perfect storm of lake-effect snow, high winds and nearly bald tires caused Vera to lose her grip on the road. Vera, for the uninitiated, is my 2004 Honda Civic. We eventually got winched out and were able to complete our journey to Kitchener, Ontario. But it was still a harrowing experience.

My father-in-law gave me a touch of advice: “Next time you wipe out, look to where you want to go, your brain will follow you.”

As I was trying to get Vera out of the ditch, I was wondering if there was something to learn from the experience, other than keeping your car well-repaired and being mindful of weather conditions while you travel. During the drive north I replayed the incident, not only looking for mistakes I might’ve made but also for lessons to learn and convey. This little snippet, however, sums it up nicely.

I’ve always been better at visualizing the endings and climaxes of stories than writing the middle. It took me some time to realize that such visualizations need not be ends in and of themselves. The means are just as important, and the path from where you begin to that ending need not necessarily be straight. In fact, it probably won’t be. Characters are going to change and an event’s flow might slide unexpectantly even as you write it.

Keep your eyes on where you want to go and you’ll get through it.

Querying Do’s and Don’ts

Courtesy Valve

“Professionals have standards: Be polite. Be efficient. Have a plan to kill everyone you meet.”

Believe it or not, there’s a lesson to be learned from the Sniper of Team Fortress 2 if you’re a writer looking to get published. And it doesn’t have anything to do with shooting people or covering them in piss. At least, it shouldn’t. I know it’s frustrating, it can get tedious and nerve-wracking, but seriously, but the gun and/or jar down. Right now.

You don’t want to kill agents. That’s bad form. What you do want is to blow them out of the water.

While I don’t know precisely how to do that – if I did, I wouldn’t still be looking for an agent – I do have a vague idea of how the process works and some things not to do in the query itself. I’ve even extended my passing knowledge into a video game metaphor. Still, I’m sure I’m not the only one struggling with writing the damn thing. Here, then, is a quick list of dos and donts I’ve gleaned from my personal experience, that of others and the dark recesses of the Internets.

Do Be Professional

Present yourself professionaly. You might not be showing up in their mailbox in a suit and tie, but you can ensure your query comes close. Correct spelling & grammar, short sentences that don’t waste the agent’s time, getting to the point – all of these things will make your query look sharp. Follow their guidelines and include everything they ask for, and nothing they don’t. If they want a sample, include one and do so in your first attempt. Send a query twice to the same agent the same day, and you’ll get thrown out. It’s nothing personal – they just don’t have the time for spam. Who does?

Don’t Be Pushy

It’s one thing to send a query twice by accident (whups, forgot the sample chapters again!). It’s quite another to do it ON PURPOSE. Once you send your query, that’s it. You may hear nothing but silence in response. Get used to that, and don’t bother the agent. The more you try to get their attention related to a query they may be ignoring or rejecting for a perfectly good reason, the more likely the answer is going to be “No.” Or maybe a restraining order. You don’t want to wake up with the bloody head of your manuscript in your bed, either.

Do Be Polite

In the wording and presentation of both your query and your work, put your best foot forward. It’s possible to be professional and also be completely cold. Don’t be that way. Who wants to work with someone with zero personality? Show you’re someone willing to work with other people, to talk about your work professionally and build a relationship with the agent. The challenge, here? You’ll have to do it in a sentence, maybe two. You have to make the agent interested in you as much as they’d be interested in your work. It’s one of the unspoken tricks necessary in hooking the agent.

Don’t Be Pissy

The difference between getting frustrated and getting mad is that frustration can be used to fuel persistence (see below), while anger leads to the aforementioned pestering and urination. It’s a subtle difference but it’s all in how you use the negative emotions that inevitably come from rejection and silence, which can arguably worse for the struggling writer (again, see below).

Do Be Persistant

Querying is not a passive thing. You can’t just find a couple agents through the Internet, dash off some lackluster queries and sit back waiting for the love to pour in. You should be taking a look at your query every day, refining it, making sure it’s polished. And when another week has passed with no response? Find more agents to send it to. Hit a library or bookstore, jot down more contact information and get to querying. Do it by email, snail mail, carrier pigeon, bricks through windows*. Keep sending them out. Sooner or later you’ll find the the one that simply cannot live without reading more of your work.

Don’t Kick Yourself Too Hard When You Get Rejected

Not every agent is going to respond to you. And not every response is going to be positive. When you do get the inevitable rejection, even if it’s simply that the agent doesn’t like the way you write, there’s no cause to abandon all hope. See the last ‘Do’ item – go query more. Find more agents. I’m sure they’re out there. Even if you’re in a narrow genre like, say, “young adult fantasy fiction”**, there are bound to be agents out there willing to give it a once-over. You won’t find them wallowing in misery, no matter how good that bottle of Jack looks.

That’s it. That’s the list. It’s as much for myself as it is for you. So’s this:

What the hell are you doing still sitting there? Go query, dammit!

* Don’t do this either, this is bad.
** No, I just pulled that one right out of the air, nothing relevant to my current activities, why do you ask?

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