Tag: sci-fi (page 19 of 35)

Fiction: The Haunting of Pridewater

Courtesy Blizzard Entertainment

Blizzard quietly announced the winners of their 2010 Fiction Contest mid-October. I wasn’t among them. So now, I can give you fine folks my entry, The Haunting of Pridewater. It wasn’t good enough for Blizzard, but maybe someone who passes this way will enjoy it.


You must awaken. Time is running out.

One of the sundered bulkheads on the battlecruiser’s command deck slid against the deck plates, causing a grating noise as it moved. The hand that pushed it aside flickered as if it struggled to remain in existence. The survivor pulled himself free of the wreckage, only to immediately collapse. A secondary explosion deep in the spacecraft’s drive section nearly drowned out his soft groan of pain. It was the only human sound being made throughout the ship.

Human.

“I heard you the first time. Shut up.”

He tapped the side of his helmet, trying to get some sort of response from his hostile encounter suit. After a few attempts, he yanked the goggles off and tossed them away. He had no idea how badly he was hurt, but as far as he could tell, he was the last living terran in the combat zone. Acrid smoke carried the stench of burning flesh and wiring through the battlecruiser’s wreckage. He shut off his personal cloak, trying to conserve his power. The suit would try to patch him up, but it was only a matter of time before the zerg were all over the crash site like freeloaders at a Mar Sara barbeque.

Indeed. As I said, time is…

“And I said shut up. Get out of my head, while you’re at it.”

My withdrawal would not help either of us. I am Melponia, advance scout of the protoss. I observed the approach of your task force and the defense mounted by the zerg. You did not stand a chance.

“Well, ain’t you just a big ol’ ray of sunshine.”

He rolled over onto his back and pushed himself up against the wall. He tried to get a better idea of his wounds, examining them in the light cast by the fires and guttering light fixtures of the command deck. His left leg lay at an unnatural angle with the rest of his body, a dead weight of seeping blood and pulverized bone. The suit was putting painkillers into his bloodstream, but being unable to use the leg would make escape difficult. He tasted blood in his mouth and felt nauseous. His insides felt like a bag of broken glass. He took a deep breath, closed his eyes, tried to remember his training.

“I’m a ghost,” he said, “and I still have a job to do.”

You are in no condition to do battle.

“If I didn’t know better I’d think you were my mother haunting me from beyond the grave. Are all prote dames such nags?”

I don’t know. Are all human males stubborn, sarcastic and rude?

“Most of the ones I’ve met, yes.” The ghost sifted through the wreckage and found his C-10 rifle. The magazine had been smashed,and it only held a single canister in its chamber. It was an armor-piercing round. It would only deter one assailant. Two, if one stood directly behind the other and the one in front was smaller.

“What do you want, anyway? I’m assuming you didn’t come here just to chat with me.”

I did not. I am, as I said, an advance scout. We detected the warp rift that brought the zerg to this planet and observed the staggering rate at which their hive has grown. By the next rotation, they will overwhelm your colony.

“Fifty thousand people live on Pridewater. There’s no way we can evacuate all of them in time. They’ve got a few personal defense weapons, nothing to hold back a major zerg attack. It’ll be a massacre.”

They are not my concern. You are.

“Now, why am I such a concern to you?” The ghost struggled to stand, keeping his hand on a broken console to steady himself as he slung his rifle. “I ain’t prote, and I can’t be sure you are, either. This could be some zerg trick.”

The response was a harmonious burst of ancient music. Behind his eyes, he saw soaring spires, glowing pylons and sparkling cityscapes. Just as he was realizing just how awestruck he was, there was a flash, and it was all on fire, the music becoming a mournful requiem. The vision faded, and he touched his fingers to his eyes. The tears on his fingertips caught the light from the fires nearby.

Such things are part of my memory, and that of every protoss. Such things do not exist within the imagination of the zerg.

The ghost shook his head. The music stayed with him, faint background noise behind the crackling of fires and groans of fatigued metal.

The wreckage is unstable. You must make your way aft if you wish to survive.

“You still haven’t told me why you care so damn much.”

The last time one of your potential fell into the clutches of the zerg, the Queen of Blades was born. Another catastrophe of that magnitude I will not allow.

“Then nuke the site and be done with it!” The ghost pulled himself along the console towards the hatch leading aft. He had to push the hand of a corpse out of his way. The body of the technician fell to the deck with a wet thump, impaled on a shards of her viewscreen, open eyes staring at nothing. “What’s with the ‘distant guiding voice’ routine? I’d think you were a field commander if I didn’t know better, safe and secure up there with your overhead perspective while the real men do the dyin’.”

I have not yet ascended to such a rank. And Pridewater will indeed be purified when the main force arrives.

The ghost stopped. “Define ‘purified.’”

Half a dozen protoss carriers will use concentrated weapons fire from orbit to eliminate the zerg threat.

“Takin’ the terran colony out with it.”

A small price to pay for preventing the spread of the swarm.

“I came here to save these people, not have tea with a protes while their homes are reduced to slag, their fields turned to glass.”

You will die with them if you do not accept my aid.

“Give me one good reason why I don’t limp into the zerg hive just to spite you.”

Very well. Give me your name first.

“I’m Ghost #24815, attached to the Nobunaga task force out of Waystation Bravo.”

No. Not the designation given by your masters. What is your name?

The ghost blinked. He’d made it as far as the ventral corridor, which sloped away from him due to how the battlecruiser had come to rest on the rocky terrain. He kept his grip on the safety rail, struggling to remember the name his parents had chosen. Or his parents, for that matter.

You can’t, can you.

“Shut up. Gimme a second.”

Let me help you.

“Wait-”

Before he could say or even think another word, she was fully in his mind. She pulled his consciousness away from the brokenness and pain of his body. He was adrift on unseen eddies, floating above a sea of shadow. A lithe form appeared nearby, peering into the darkness.

She turned her eyes to him and the feeling that washed over him defied description. He’d seen holograms of protoss before, clad in their eldritch armor and piloting war machines with designs terran analysts called “ill-suited for the battlefield.” Here, before him, he appreciated their esoteric beauty for the first time. Melponia held out her hand to him.

Your name awaits. Take my hand and I will help you find it.

He obeyed. In the next split second, darkness and noise enveloped him. He felt Melponia’s grip on him, but his sense were otherwise overwhelmed by the chaos. Through the maelstrom, he heard Melponia singing.

He recognized some of the images. Voices in the storm became familiar. Some of the memories were recent recollections of conversations with Bravo’s commandant or the Nobunaga’s captain. In addition to the familiar faces and words, however, were those that chilled the ghost to the bone.

They weren’t frightening in and of themselves. In fact, the face of the young woman smiling at him as they sat in a field under the stars was so beautiful to him he wanted to cry. The frightening thing was that, despite being unable to place the faces and voices in proper order or match them with names right away, he felt he knew them.

Searing pain. A sense of nauseating vertigo. Being forced to let go of something precious. These sensations came next, along with the memory of a cold metal table and a needle in his arm. Waking the day after the procedure, his head had ached horribly despite being void of all but his training and his duty to the Dominion.

The Dominion had done this to him. They’d stripped him of who he’d been. The final memory was of standing in the barracks bathroom at the Academy on Ursa, the morning before they’d wiped his mind. He remembered emerging from the shower and looking into the mirror, telling himself he was doing his duty, doing the right thing. He did not, however, the slender alien standing directly behind him.

Your mind is strong, terran.

“Lawrence.”

He blinked, and he was back in the darkened corridor of the Nobunaga.

“My name is Lawrence Crockett.”

It is a pleasure to meet you, Lawrence Crockett. I owe you ‘one good reason’ for taking you away from Pridewater, if memory serves.

“You’ve got at least one, considering all the stuff the Dominion made me forget.”

Crockett pushed himself to his feet and continued his painful journey towards the aft section of the wreck. The suit had run out of painkillers to dispense while he’d been out.

Indeed. The fear of another Kerrigan emerging from your ranks prompted your betters to geld your mind. Their work was sloppy and ineffective.

“Sarah Kerrigan was corrupted by the zerg. It wasn’t her fault.”

Yet it was her mind the swarm wished to possess. Bodies they have in multitudes. It is logical to assume minds with similar training would also appeal to their goals.

Crockett shook his head. “Logical or not, it’s stupid to let ‘em do this to us. It’s my mind. It doesn’t belong to anybody else.”

I can help you repair the damage, Lawrence. Reclaim all you have lost and show you how to become so much more.

“My mother called my Lawrence. My friends call me Larry.”

Am I your friend, then?

“I ain’t settled on that yet. You helped me kick down the doors in my head, and I’m thankful for that. But I still don’t know for sure what your endgame is here.”

I do not have an endgame short of taking you away from this planet prior to purification… Larry.

“Next thing you’re gonna tell me is that I won the lottery on Mar Sara.”

That world has already been purified.

“Yeah, I heard the reports. That’s what makes it a joke.” He shook his head. “We’re gonna keep talkin’, I’m gonna have to learn you a thing or two about humor.”

I am afraid we may not have the time.

“Spoilsport.”

At last, Crockett had arrived at his destination. The armory was a darkened cavern, some lights flickering in the vast compartment where the Nobunaga’s ammunition and that of any passengers was stored. He didn’t know if the zerg had any interest in non-biological equipment aboard, but letting them get the claws on terran nukes was a chilling thought.

“How close are the zerg to the crash site?”

A mere handful of kilometers. By terran reckoning, you have ten minutes before they arrive.

“That’s plenty.”

Groping for handholds as much as he could, the rifle slung across his back heavier with every move he made, Crockett made his way through the spilled racks of anti-air missiles and loose capacitors for energy weapons to the locked cage where the warheads awaited him.

My sublight engines do indeed have enough thrust to bring me close enough to-

“That ain’t what’s on my mind right now, Mel.”

A single light remained on steadily in the cage. He took hold of the door and pulled. Somehow, the lock had survived the crash. The door wouldn’t budge. The yellow and black labels warning of the weapons’ radioactivity seemed to mock him from behind the cage.

Crockett stepped back, brought his rifle down from his shoulder and steadied himself against the broken rack behind him. He knew that once he pulled the trigger, he’d be defenseless save for the knife in his boot and the brain in his skull.

What are you doing, Larry? Melponia’s voice was calm, unassuming.

“I’m afraid, ma’am, that I’m gonna have to respectfully decline your offer.”

The rifle kicked like a mule when he fired. The recoil almost dislocated his shoulder and he dropped the weapon immediately. He slid to the deck and came close to passing out, but he felt Melponia’s presence, her song washing away the pain if just for a few moments.

Remain conscious. If you fall into darkness you may not emerge again.

“You just might be the sweetest protoss in the cosmos, carin’ as much as you do.”

I bet you say that to all the ‘prote’s.

He smiled in spite of the pain. “See? That was sarcasm. You’re learnin’.”

Larry, you owe those brain-butchers nothing.

Crockett blinked, regaining his senses. His shot had torn the door almost completely off of the cage, leaving one hinge intact and obliterating the lock. Reaching up with his good arm, he pulled the door open and crawled inside.

“Nope, I don’t. But those kids, here on Pridewater, ain’t the brain-butchers. And I’m not gonna leave ‘em to die just to satisfy a grudge. The pencil-pushin’ bastards on Ursa will get what’s comin’ to ‘em, I’m sure. But I have to deal with what’s in front of me, namely fifty thousand of my kind who’ll end up a zergling’s lunch, or vaporized by protoss lasers, if I hop on your spaceship with you for a romantic getaway.”

Melponia scoffed. You presume much, if you think I find you attractive, human.

“Feeling’s mutual, sweetheart.” Looking at the warheads, a plan began to form in his mind. “Look, squishy lovely feelings or no, I do need your help. I need to know if this is going to work.”

It will fail unless I assist you. You cannot brute force your way through those defenses.

“Well, then.” Crockett drew the knife from his boot and began prying off one of the warhead’s access plates. “Guess I’m gonna need your delicate, feminine touch, then.”

It was five minutes later when the sound of rending metal washed through the battlecruiser. A dark, misshapen creature slid into the wreckage, mandibles clicking softly as it scented out its prey. The hydralisk slithered through the twisted hallways of the wreckage. The cerebrate compelled it to find the psychic signature glowing in the middle of the ruined battlecruiser like a newborn star. Moving over corpses and fallen bulkheads, the zerg warrior slid into the arsenal. Within the cage at the aft end of the room, Lawrence Crockett sat near some conical devices marked in yellow and black, not moving.

The hydralisk hissed triumphantly. It moved towards the inert form of Crockett. The terran didn’t respond to its approach. The cerebrate, exhibiting a sudden surge of urgency, ordered the hydralisk to prod the dark-clad human with one of its arms. The hydralisk moved to obey.

Now!

Crockett sprang to life, grabbing the extended zerg arm with his bad hand while his other stabbed the hydralisk in the chest with his knife.

The hydralisk screamed, Crockett too close to stab with its scythes. It tried to launch a volley of spines, but something was keeping the mental command from reaching the muscles. There was a presence in its brain, something other than the cerebrate. The hydralisk glared down at Larry, who was gritting its white teeth. A blood-covered circuit board lay nearby. Several wires connected the board to one of the nukes, while others disappeared into Crockett’s helmet.

I have it distracted, Larry. The cerebrate is in direct contact. Address it directly.

“I know you can hear me.”

The cerebrate recoiled in shock.

“Yeah. You. The cerebrate of Pridewater. I feel you here. I know you’re looking through this thing’s eyeballs at me. Well, I hope you enjoy the show. It’ll be the very last thing you see.”

Panicking, the cerebrate screamed at the hydralisk to slay the human. It struggled to obey, trying to back away from Crockett. But the human maintained a grip on his knife, staying close to the hydralisk.

It is trying to cut the hydralisk off, Larry. I will maintain the link as long as I can, but zerg minds are slippery…

“I’m wired into this nuke stockpile behind me. You know what that means? It means if my brainwaves stop, this whole place goes up in a white-hot flash. I figure I’m close enough to your hive that it’ll fry a good few of your little zerg friends. But then I thought, that ain’t near good enough.”

Crockett struggled to stand, unsteady on his shattered legs. He continued to stare into the hydralisk’s eyes, close enough for the hydralisk to smell the blood on he breath. The hydralisk knew its victim wasn’t going to live long even if it didn’t slay him as the cerebrate was now begging it to do.

“I figure, you’re hooked into the brain of every zerg on this planet. If I get hold of your mind, get nice and cozy with you, I’ll take your mind with mine when I die. Not only will I blast your hive to kingdom come, every single zerg on Pridewater will suffer such a psychic shock it’ll either drop dead on the spot or be left a drooling, quivering mess that any farmer’s son can finish off with an antique rifle. All I gotta do is find my way through this hydralisk’s excuse for a mind and ride its connection right to your consciousness. Are you scared yet? Do you zerg bastards even get scared?”

Larry, there is no more time. It will…

“I know it, woman. Get out of our heads while you can. I’m in too deep for it to stop me now!”

Larry…

“Melponia! Go!”

The hydralisk was overwhelmed with the orders, the urge, the need to kill the human. It roared, yanking itself back off of the knife and raising one of its scythes. Crockett, in spite of the fearsome sight that had caused battle-hardened marines to soil their power armor, grinned, his eyes lit with an intense mental fire.

“Ah-HA! Here you are, you invertebrate stinking alien son of a…!”

The hydralisk brought its scythe down into Crockett’s skull. The bone weapon sank through muscle and brain as the cerebrate suddenly changed its mind. Its last command had been for the hydralisk to stop. It’d been a cry of desperation, an unexpected and frightening turn of events. But now there was only silence.

The silence was filled with white light for a split-second, and then there was nothing.

Some time later, the task force appeared in the void on the outskirts of Pridewater’s star system. The half-dozen protoss carriers were loaded for bear, ready to cleanse the planet of its infestation, primed for purification.

Scout Melponia. Task Force Command awaits your report.

Melponia respected the fact that her commanders did not probe her thoughts. She was still processing all that had occured, the residual scans of Pridewater and the odd sensation her mind experienced when it turned to that planet.

“The planet is free of infestation, Command. Long-range radiological scans detected a nuclear detonation consistent with the stockpile of a terran battlecruiser. It is logical to assume that a survivor of the Dominion task force set off the stockpile to protect the colony. No zerg life signs remain on the planet. Preliminary data suggests some form of attack on the psychic level, possibly a sympathetic echo from so many dying at once in nuclear fire.”

This is an astonishing turn of events. How did this come to pass?

“The data suggests…”

We are no longer interested in the data. What do you think happened down there?

Melponia turned to look out the canopy of her scout vessel towards Pridewater. The sense was definitely still there, the impression left by a mind she had touched. It lingered there, quietly contemplative, a silent guardian.

“A ghost inhabits the planet of Pridewater.”

We do not understand.

“Pridewater is haunted, Command.” Her gaze didn’t break from the planet. “Haunted.”

Ghoulish Games III: X-Com UFO Defense

Courtesy MicroProse

The first game I discussed for this holiday dealt with the experience on a personal level, free of monsters. The second focused on a particular monster. Now, let’s talk about an overall game that actually captures an atmosphere of dread. The situation in X-Com: UFO Defense is as follows:

Aliens are attacking human cities. They land in the town, blast civilians and leave. The multi-national community has created X-Com to investigate and prevent these attacks. They get a couple jet fighters with missile launchers, a transport to carry a squad of around a dozen troopers, some scientists to research alien technology and a workshop to build new equipment based on those discoveries. If X-Com does well, the nations of the world will keep giving them money. All you have to do, as the leader of X-Com, is at least keep your soldiers from dying.

It’s turn-based squad combat, and mechanically it isn’t bad. Every solider has a set amount of time units to use every turn, and if you’re out of time units when the enemy turn comes around, you can’t shoot back at them when you see them. So you need to plan the moves and position of your squad carefully. Add to this the fact that you start with just over a half-dozen volunteers with the combat experience of a weekend’s paintballing, armed with weapons purchased on a budget and multi-pocketed jumpsuits for armor, and the result is a surprisingly tense scenario in which a wrong move will have the aliens blasting your so-called professional alien hunters with glee.

The idea of putting humanity at an initial disadvantage worked in Independence Day and it works very well here. With limited funds, there’s only so much you can do when you start out. To get ahead, and gain any sort of tangible advantage on your foes, you need to meet them in combat, disadvantage or no. The combat in underscored by a minimalist, menacing theme that captures the tension perfectly, and night missions are particularly terrifying.

Stopping a terror attack means landing in the city and hunting building by building, room by room for the aliens. On their turn, the aliens blast any civilians they see, but you can’t see it. Their movement is hidden unless your soldiers can see what’s going on, so for the most part you’ll hear the fire of plasma weapons and the screams of the dying. Not only is it chilling in and of itself, it reinforces two key points of the scenario. If you don’t hurry, there won’t be any civilians left to save; and if too many of them die, you’re going to piss off your investors.

The terror in attack an alien craft or base is a different sort. Sometimes you shoot down a UFO over land, sometimes it lands on its own for some unknown purpose, and on occasion you’ll find a base they’ve established on Earth. In all these scenarios, you’re taking your team into an environment where you are at an even more severe disadvantage. In the case of a crash, they know you’re coming and are waiting for you. Just getting off of the transport can be punishment, as the aliens helpfully assist you in reenacting the Normandy landings. Even if you survive the initial encounter, getting into the UFO or alien base means going into a confined space with which you’re unfamiliar but the enemy knows intimately. Be prepared for ambushes, booby traps and unforeseen consequences. You might have your squad kitted out with flying suits, repeating plasma blasters and remote-controlled rocket launchers, and you still may find yourself biting your nails in nervousness as they open a new door in an alien stronghold.

This is why X-Com: UFO Defense holds up after many, many years of innovation and progression in the realm of game design. It’s straightforward presentation, atmosphere of dread and unrelenting challenge make it a lot of fun to play even today. It’s also pretty damn scary, to the point where you can almost find yourself sympathizing with the stereotypical swaggering platoon leader who freaks out when the soldiers actually come into contact with the enemy. In other words, you almost feel sorry for Gorman from Aliens. Almost.

Ghoulish Games II: System Shock 2

Courtesy Irrational Games

I mentioned in my previous post on games that’ve unnerved me that the level in question had no monsters. It’s a great example that the setting and design of a well-crafted atmosphere doesn’t necessarily require direct antagonists to be effective. That isn’t to say there’s anything wrong with monsters, and in this second game I’d like to talk about one in particular that disturbed me when I first fought it, and stuck with me since then. The creature in question is the hybrid, from System Shock 2.

Now, the game has a fantastic overall atmosphere, well-written villains and effective set pieces that hold up despite the advances in graphics. But the hybrids stick out in my mind because they’re very well built creatures. They shamble and move like zombies but manage to say coherent things. Instead of the typical, savage war-cries of mooks in a first-person shooter, hybrids moan things like “Run…” and “Help me!”

The basic premise of Body Horror is one that messes with our self-image on a basic level. The idea that an outside force can overtake our bodies and transform us into something hideous while we remain conscious of it is a chilling one. The hybrids are this idea writ large, antagonists that attack the player against their will, still conscious of who they were and what they have become, powerless to change their state or escape the horror, praying for death.

This sort of foe crops up in later games. The Splicers in the BioShock games, people overtaken by headcrabs in Half-Life, the hellish creatures in Dead Space, even the zombies in Doom qualify. But for the most part, they aren’t quite as effective. The headcrab zombies do manage the occasional plea, but their overall incoherence defangs the horror somewhat. Most of the others are relatively interchangeable and the sort of shambling if somewhat generic grotesque creature best dealt with using automatic weapons fire.

It’s one thing to gun down a nameless foe when they’re screaming for your blood. It’s quite another when a tearful former human is begging you for death even as it struggles not to hit you. I mean, sure, the improvised weapons they carry still hurt, but the impression I got was that if they were given a choice, the hybrids wouldn’t be trying to kill you. But they’re not given a choice. They were victims before the player showed up. This tragic fact underlines the horror of the creatures and, for my part, has stuck with me even though it’s been years since I’ve played the game.

Is there a particular opponent in a game that’s unnerved you? An encounter that’s left you shaken, made you think in a chilling way or just freaked you the hell out?

IT CAME FROM NETFLIX! Pandorum

Logo courtesy Netflix.  No logos were harmed in the creation of this banner.

[audio:http://www.blueinkalchemy.com/uploads/pandorum.mp3]

I am loathe to admit this, but I’ve made it a point in my writing and especially this series not to be disingenuous in my assertions. That’s a good way to get punched in the face. So here it is: I don’t like spook houses. Those standalone buildings in carnivals, fairs and amusement parts where part-timers are paid to jump out of closets at you? Yeah. Not really my scene. I don’t consider it horrific when I get startled. It’s just annoying. Around this time last year when Pandorum was out I didn’t really pay much attention to it, half-expecting it to be a jump-out scarefest dressed up as a high-concept sci-fi horror flick. This is one of those times when I’m pretty happy to admit I was wrong.

Courtesy Constantin Films

The Elysium is a spacecraft carrying thousands of colonists and biological samples for the settlement of the distant Earth-like planet of Tanis. Earth has just about run out of room and resources. While humanity suffocates on its own wastefulness and hubris, the Elysium‘s passengers are kept in deep cryogenic sleep for their 123-year journey with the promise that they’ll save anybody left behind. When Corporal Bowers wakes up for his shift, however, there are immediate problems. He’s been out long enough to lose parts of his memory. His ship is dying, its reactor core malfunctioning and its navigational systems unable to tell him where they are. His superior officer, Lieutenant Payton, has a similar memory problem when he wakes up. As Bower heads for the reactor to fix the ship and Peyton acts as mission control at the one working console, two things become apparent very quickly: The officers are not alone aboard the Elysium, and one or both of them are suffering from a mental condition similar to nitrogen narcosis related to extended cryogenic sleep – a condition they call Pandorum.

Do you have a feeling you know where this is going? If not, maybe you should consider watching more movies. Specifically, you need to check out Alien, The Descent and Event Horizon, because those are movies that at best inspired Pandorum and at worst were victims of a blatant idea mugging at its hands. Players of System Shock 2 or Dead Space will feel right at home as well. On the surface, there isn’t much about the concept, narrative through-line or inevitable “twist” moments that haven’t been seen, experienced or lampshaded before. But that’s a general overview and maybe a little unfair. The devil, as they say, is in the details.

Courtesy Constantin Films
It’s a shame more PhDs aren’t this badass. Or this hot.

It’s been said that as soon as you fill your spaceship with metal grating floors devoid of carpeting and lights that flicker on and off, your protagonists might as well use marinade for a shampoo. However, in the case of Pandorum, the set design is a big part of the atmosphere. This ship is old, with limited power and even more limited resources. Instead of dropping beefy space marines or even powered armor the protagonists have to learn to use into the situation, our heroes have little more than their clothes on their backs and whatever improvised weapons they can lay their hands on. I never said borrowing from Alien was a bad thing, after all. We’re pulled into the story and feeling the dread and claustrophobia of Bower long before we see our first creature.

Speaking of which, this was the second work of Stan Winston’s legendary creature shop after the mastermind’s untimely passing. The first was G.I. Joe – the less said about that the better. Anyway, I might have appreciated the psuedo-tribal designs and creepiness more if I’d gotten better looks at these things, however the camera moves so damn much whenever they’re around that it’s really difficult to do so. Giving fleeting glimpses of a monster instead of showing us what we’re in for is good as a rule. It’s why the original Predator works on a level that neither Aliens vs. Predator movie comes close to reaching. But the more Pandorum goes on, the more it feels the film crew shot it this way after getting drunk and deciding emulating Michael Bay’s camera work was a great idea for their fight scenes.

Courtesy Constantin Films
I don’t think Dennis wants to be reminded of G.I. Joe, either.

Another problem this movie has is in sound design. Now, the soundtrack of Pandorum isn’t all that bad, at least to my ears but then again I’m a sucker for tribal drums in my sci-fi, e.g. Bear McCreary’s kickass music for Battlestar Galactica. And the screams of the creatures are fine, creaking bulkheads, visceral tearing noises, etc. The problem I had was with the level of dialog. With so much else going on it’s really easy to lose lines or entire exchanges as they’re frantically whispered between the survivors. I understood that being quiet was necessary for survival in most of the open areas of the ship, but some scenes were very difficult for me to follow in terms of dialog. Then again, this might be the fault of watching this via the Netflix Instant service in a room right next to a busy intersection.

There are a lot of minor flaws in the overall movie that would cripple the entire project if there weren’t good things holding them up. Beyond the set design and lighting, we have a pace that gradually builds the tension and is in no rush to get to the bottom of the mysteries, opting instead to keep the action moving and build the characters. Par for the course considering this somewhat derivative material, the characters we get aren’t really all that deep or unique. However, what I like about them is that none of them are beefy macho space marines. The obligatory knife-twirling action babe began life as a geneticist and her stoic, large spear-wielding guardian was a farmer. These are normal people that managed to survive in extraordinary circumstances. The closest we come to military characters are Payton and Bower. And while Bower does some of the heavy lifting action-wise, he’s not exactly the Emperor’s Finest.

Courtesy Constantin Films
Bower and the film’s only ray gun.

This is a good thing, though. It’s one of the best things Pandorum has going for it. Ben Foster as Bower does just about everything right in ways that invoke pleasant memories of Bruce Willis playing John McClaine in Die Hard. He and the other survivors demonstrate good instincts and decent cognitive skills, for the most part. There’s only one point at which an audience might yell at the screen at a character for making a bad decision. I’ve always liked Ben Foster, from his funny and touching turn as Spacker Dave in The Punisher to his unhinged second gun to Russell Crowe in 3:10 To Yuma. Seeing him take the lead here is a very pleasant experience, and as much as Bower might be just an engineer and not cut out for combat or extreme survival, there is a scene in which my jaw was hanging open – not at the visuals, not at the viscera, but merely at the demonstration of an everyday guy having some big, brass balls.

It’s nowhere near a perfect movie. In terms of sci-fi horror, Alien has nothing to worry about. Pandorum is saved from failure by surprisingly decent writing and acting, excellent set design and a premise that assumes the audience is smart enough to follow along without needing things explicitly spelled out every step of the way. They just seem to forget that we’ve seen other movies before, meaning we’ve seen some of these elements before as well. If Pandorum were a baked concoction, you’d throw together equal parts Alien, The Descent and Titan AE, dash it with a little Dead Space and frost it with Event Horizon after it’s done baking. The result probably isn’t all that good for you and you’ll have tasted better, but that doesn’t stop this particular little experiment from tasting pretty damn good.

Josh Loomis can’t always make it to the local megaplex, and thus must turn to alternative forms of cinematic entertainment. There might not be overpriced soda pop & over-buttered popcorn, and it’s unclear if this week’s film came in the mail or was delivered via the dark & mysterious tubes of the Internet. Only one thing is certain… IT CAME FROM NETFLIX.

DLC Review: Kasumi’s Stolen Memory & More

Courtesy BioWare

There’s a glut of DLC available for Mass Effect 2. The biggest thing out there exists for the benefit of those who bought the game used, the Cerberus Network. It allows you access to DLC that would otherwise be free, like option party Zaeed Massani. Chances are, if you’re reading this and own Mass Effect 2, you’ve already grabbed the surly mercenary to your interplanetary quest to forge a team of “big Goddamn heroes” as the man himself would put it. I’ll go more in-depth should requests come in for it, and I’m not reviewing stuff like the appearance packs. I’d much rather talk about Kasumi instead.

Rounding out Shepard’s team to an even dozen, Kasumi Goto is an enigmatic master thief. She strikes a deal with the Illusive Man who’s behind your operation to take down the Collectors. If Shepard helps her with a heist to break into the vault of an amoral industrialist, she’ll help the former Spectre save humanity. She’s adept at sabotage, infiltration, agile combat and, ah, “property acquisition.”

Kasumi on the whole seems to be an entirely different kettle of chips from most of the other members of your team. She seems to have more in common with Yeoman Kelly Chambers than Garrus, Jack or Grunt. She’s upbeat, positive and even when you’re in the middle of a chaotic firefight, she’s having fun. Occasionally when she pops out of the shadow behind some unfortuante mook to crack them one across the head, she’ll let out a Simpsons-style “HAW HAW!” And if she’s having fun, we’ve got no excuse not to. I smile every time.

Courtesy BioWare
This girl has got some moves.

Speaking of her abilities, it’s nice to have a fully-fledged rogue on the team. Her signature move, Shadow Strike, is functionally similar to the Infiltrator’s Tactical Cloak, but she uses it to cross a great deal of distance and deliver a backstab-style sneak attack. While the thronging masses of gun-toting suckers line up for bullet sandwiches from you and whichever other team member you’ve chosen, she uses the chaos to sneak around behind and exploit their weak spots. I for one really like that. She also gains the Flashbang Grenade, which inflicts a little bit of damage within its area but also causes weapon overheats, messes with electronics and disrupts the concentration of biotics. It’s crowd control at its finest, and from what I understand it’s capable of locking down even the biggest bads you’ll face on foot.

Her loyalty mission, the aforemention heist, is also a lot of fun and starts with a really nice change of pace. Instead of opening with the typical fare of dropping into the target zone to murder everything in sight, Shepard and Kasumi have to slip into the dinner party of Donovan Hock, an arms dealer with a thick South African accent and a penchant for self-aggrandizing. While Kasumi stays invisible, Shepard must wear formal clothing instead of armor and chat people up for information, clues and the keys to the vault. There’s a really nice callback to the first game as well as nods to other BioWare games and even classic sci-fi films. Of course the mission switches about halfway in to the usual shooting, but taking on the bad guys with just you and Kasumi presents an interesting challenge in and of itself.

The only thing lacking from Kasumi’s DLC is more conversation with her. Like Zaeed, she’ll talk when you select her in the Normandy’s port observation deck, but it’s not a back-and-forth conversation. However, she does offer insight on the rest of the crew and her stories tend to be just as colorful as Zaeeds, though usually less violent. I’m sure there’ll be more lines as I add members to my crew in my current play-through, but I feel there could have been more done with the character. It’s hard to really consider that a major weak point when you get to keep your formal wear after the mission and Kasumi installs a bar in the Normandy. Nothing beats the fatigue of taking on the Collectors than science fiction booze!

Bottom line is, Kasumi’s Stolen Memory is definitely worth getting. She’s a great addition to the game.

Courtesy BioWare
The next best thing to my trusty sniper rifle.

At the same time I got Kasumi’s Stolen Memory I also picked up the Aegis Pack & the Firepower Pack. The Kestrel Armor is no better or worse than some of the other armor available, but the ability to mix and match bits of it instead of needing to wear the entire suit is a fantastic option. I’m also using the M5 Phalanx pistol quite a bit. The Colt Anaconda of the Mass Effect universe, this packs even more punch than the Carnifex hand cannon and comes equipped with a laser sight. It’s a bit more challenging than the default crosshairs, but accuracy is rewarded with increased damage the makes kills more frequent. That weapon and the nature of the Kestrel Armor justifies the price of these DLC for my money. I’m playing as an Inflitrator (again) so I can’t comment on the Mattock battle rifle or the Geth shotgun, but Garrus seems to be dropping folks left and right with the Mattock and I’ll see how Tali likes the shotgun.

I take care of my ladies, what can I say?

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