Tag: television (page 4 of 5)

Building Character: The Brain

Goofy

Not too long ago I discussed some basics on how to build effective characters. I think some specific examples might be helpful to people trying to scribble out compelling fiction, and in the wake of NaNoWriMo, you might be looking back over your work wondering how to improve something. Hopefully, examinations of existing characters might help in that effort.

This week we’re taking a look at the brain.

Your Brain

No, not that brain.

The Brain

No, not that brain either.

The brain I’m referring to is the character on the story responsible for explaining the science or technology behind the problem at hand. In science fiction, this is your science officer. Procedurals tend to have the brain in a lab somewhere working on the forensics to solve the case. Television is a great example with plenty of different brains on display. CSI has spun into three separate shows all about entire teams of brains working on the crime of the week. Bones counters the babble of the brains with the earthy everyman charm of Agent Seeley Booth, who affectionately calls them ‘squints’. Most other shows just have a nameless person to appear and deliver the science.

NCIS, however, is not most other shows. NCIS has Abby.

Abby from NCIS

Few if any shows have given the individual forensics expert down in the lab the sort of characterization that Abby has received. She’s smart, produces results quickly and supports the team any way she can. She’s also a goth, constantly listens to happening music, gives hugs whenever she deems them necessary and drinks down Caf Pow like a fiend. Did I mention she sleeps in a coffin, has all sorts of interesting tattoos, uses ASL and occasionally cuddles a stuffed hippo that farts when squeezed? These are, individually, little quirks, which when put together make for one of the most unique characters in a television procedural, or any television show ever.

The point is, Abby is a brain without being overtly nerdy or socially inept. She breaks the mold of brains that have come before, and shows how a few small things can make a character that would otherwise be more of the same into something truly memorable. When you’re making a character, it can help to list the character’s quirks, along with likes, dislikes, goals and phobias. This works for heroes as well as villains, and is something I plan to explore in the weeks to come.

…No, I didn’t just to an Abby post because she brings in hits like mad, why do you ask?

On the Tube: White Collar

White Collar

The major networks – CBS, NBC and ABC in this country – seem to have cornered the market on procedurals. In fact, it could be argued that procedurals are overrated. However, occasionally a show will try to take the procedural formula and go in a different direction. Take a cop show, for example, and give it military trappings. Or take a medical show and make the principle an insufferable douchebag. And then you have some of the shows on USA, which look at procedurals from an entirely different perspective – I’m taking a long, lingering look at you, Burn Notice. Come back soon.

Anyway, what we have here is a show that deals with major crimes – multi-million dollar art forgeries etc. Law & Order Criminal Intent does this with the typical Law & Order tropes. That is to say, everything’s very serious, the subjects are RIPPED FROM THE HEADLINES and nobody cracks a smile. It leans so heavily on the non-comedic side of drama it occasionally makes Greek tragedies look light-hearted.

On the other side of things, we have White Collar.

This isn’t to say that White Collar is madcap or slapstick. It’s not playing things deliberately for laughs. It is, however, intelligently written and well-paced. The premise of a gentleman thief coming over to the lawful side of things in order to secure their freedom isn’t really new, but one of the things that makes White Collar stand out is that the two leads are equally intelligent and even before their partnership begins, there’s a grudging admiration for each other. It’s like if Al Pacino & Robert DeNiro’s characters in Heat came up against a more violent gang of bank robbers and joined forces to take them down.

Neal Caffery, as a character, is especially interesting because he does use his intelligence and charm to get what he wants, yet isn’t willing to use violence to achieve his ends, nor is he completely happy-go-lucky. He does have desires that extend beyond creature comforts and fine clothing. The fact that Matt Bomer’s so easy on the eyes puts the whole character together in a shiny package that’s very, very difficult to ignore.

Tim DeKay’s FBI Agent Peter Burke isn’t a slouch either. He’s just as smart as Neal, being the only person ever to catch Neal after years of chasing him down. His suspicion isn’t completely unfounded, yet he respects and even likes Neal, especially because Neal is smart enough not to do something stupid that would blow a case on which they’re working.

For example, instead of just going through a plan by the seat of his pants, Neal is seen studying a book on warrant law before heading into the lion’s den of a particularly nasty art forger. Since Neal is wearing a GPS ankle bracelet that goes off if he leaves a 2-mile radius within New York City, the FBI is informed he’s flown the coup. When Burke and his men arrive, they see he’s come to the suspicious warehouse the two visited earlier for which Burke did not have enough evidence to secure a warrant. Since they are in the course of apprehending a fugitive, the FBI can execute a search legally, and they nab the bad guys by the book. They couldn’t have done it without Neal, and when Burke sees where Neal has brought him, he grins.

It’s up there with Burn Notice in terms of enjoyability, writing and character writing. Let’s hope it stays at this level. My wife, one of the most critical people I know, has dubbed it “fuckawesome.”

I couldn’t agree more.

On the Tube: Castle

ABC's Castle

I committed a major, MAJOR oversight when I posted my fall preview of television. I neglected to talk about one of my favorite shows which features one of my favorite actors. And it’s about a novelist.

Nathan Fillion stars as the titular Rick Castle, a crime drama novelist who has found a measure of success. His books are popular, so much so that someone started mimicking the crimes & brutal killings depicted in his writing. To solve the cases, Castle is tapped as a resource. Given that Castle is good friends with the mayor, due to the mayor being a fan, Castle’s allowed to ride along with the cops, filing it away as “research” for a new series of bestsellers. Nathan Fillion’s skill shines through, as he takes the very clever writing of the show and moves his character easily from media-savvy socialite to esoteric crime-stopper to soulful author in search of inspiration.

His inspiration is also his foil: Stana Katic plays Detective Kate Beckett, a tough-as-nails and whip-smart cop who seems to have little patience for Castle’s antics. Where Castle is esoteric, she is straight-forward. Her crafted emotional armor renders her (mostly) immune to his charms. She sees him as a womanizing, arrogant blowhard, elbowing his way into legitimate and serious investigations like a bull in a china shop. It’s been proven, however, that bulls are rather elegant between shelves of delicate china, and Castle has more than once helped the police unravel some pretty tangled knots to arrive at the truth.

Throw in Susan Sullivan as Castle’s socialite mother, Molly C. Quinn as his smart and enduring daughter, and cameos from famous novelists like Stephen King, Sue Grafton and James Patterson, and the resultant mix is a funny, intelligent and compelling drama that will have you coming back to see what happens next. Castle is aired by ABC on Monday nights at 10 PM Eastern time, placing it nicely after House, Heroes and Trauma. I highly recommend it.

On The Tube: Fall Preview

Courtesy MEAP Careers

Sweeps is once again upon us, and new shows and old favorites alike are vying for your television attention and advertising market share. Below you’ll find the shows I’ll be tuning in for and why. I have to admit this post is somewhat short and formulaic, but an appointment with the dentist and pending deadlines make blogging an interesting prospect. Oh, and I’ll still be watching the Daily Show & Colbert Report, when they’re not on super-long vacations.

Monday
House
Our favorite brilliant jerkass diagnostician returns, and he’s in rehab. Like being without a team, I anticipate this will last a few episodes.

Heroes
The last couple seasons of Heroes have been, to be honest, a bit disappointing. Still, the writing of the characters remains mostly consistent and I have to admit that Hiro is a delight to watch.

Trauma
Danielle and I are both interested in this. It looks like it has all the drama of an ER-style medical show with enough explosions to get the attention of the MythBusters crowd.

Tuesday
NCIS
Season 6 ended on a cliffhanger with Ziva in the hands of some very bad people. We’re told we won’t know what’s coming in Season 7. All I know is, I better see Gibbs and DiNozzo kicking tons of ass to get their assassin colleague back.

NCIS: Los Angeles
I think the backdoor pilot for this is on our FiOS OnDemand service, and I think I’ll watch it before tuning in to the premiere next Tuesday. Chris O’Donnell’s not bad, I like LL Cool J quite a bit, and they’re basing this show off of a winning premise. I hear one strain of ‘The Who’ playing while Chris reaches for his sunglasses, though, and I’m out.

Wednesday
Law & Order: SVU
The cast of this show has stayed consistent throughout the years, with the notable exception of the rather attractive Assisant DA’s who oversee the Special Victims Unit’s cases. But I really like everybody in the show, from Dann Florek’s unflappable Captain Kragen to the two pairs of partners – with Richard Belzer and Ice-T edging out Chris Meloni and Mariska Hargitay just a bit due to sheer hilarity – and the inclusion of B.D. Wong and Tamara Tunie have improved the show even more. Really looking forward to this new season.

Thursday
Bones
This is a show I need to do an in-depth “On The Tube” post about, but suffice it to say that I’ve really liked it since its first season, and I’ll be really looking forward to the cast returning for more forensic fun.

Fringe
Again, I need to do an in-depth post on this one. Unlike the labyrinthine shark-jumping Lost, Fringe has been very consistent in its high level of intrigue, entertainment, and ability to retain the viewer. It’s reminiscent of The X-Files, in a way, but instead of two FBI agents, you have an FBI agent, a con artist, and a mad scientist. And a cow.

Friday
Dollhouse
Joss Whedon might not be the most brilliant writer in the world, but he does know how to put together a good TV series. I hear Jamie Bamber and Michael Hogan of Battlestar Galactica will be guest stars this season, along with Summer Glau. If Summer Glau’s in it, you can bet I’m probably watching it.

Still To Come
Chuck
Slated to return as a mid-season replacement for Heroes, the adventures of the world’s most unlikely spy can’t come back soon enough. Zachary Levi’s a fantastic talent, Yvonne Strzechowski is a delightful find, and Adam Baldwin hasn’t been this much fun to watch since Firefly.

Burn Notice
Michael, Fiona, Sam and Madeline will be around to make the winter months a bit hotter. This is another show for which I’ll be chomping at the bit.

It looks to be a decent fall season, and I will be weighing in from time to time with more on the new shows, as well as those in-depth posts on my favorites. Television might be the opiate for the 21st-century masses, but if you know where to look, you can still find good storytelling.

On the Tube: Burn Notice

Burn Notice (image courtesy tvgasm)

For a long time, television has brought us a plethora of police & detective procedural shows. From Dragnet to Law & Order, Columbo to Monk, we’ve often spent hours at a sitting looking into the lives of the men and women who enforce the law. It’s a rare show that instead deals with the world of espionage in a similar way. Burn Notice sets itself apart in a variety of ways.

One of the unique things about the series is also something of a stumbling block to new viewers, myself included. Michael Westen has a bit of a “seen it all, done it all” attitude, which can cause him to come across as wooden or blasé. However, this actually adds to the show, rather than taking anything away from it, as the CIA clearly trained Michael to be extremely adaptable, able to roll with just about any punch. At the drop of a hat, he can adopt any number of personalities, along with an appropriate accent, and be entirely convincing to whomever he needs to fool. He also lets us into the procedures and thought patterns of the espionage world through his frank and sarcastic narration throughout the show, which keeps the tone from getting too dark. Finally, and somewhat reluctantly, he occasionally gets help from his mother, which ranges from assistance in surveillance to spending time in her air conditioning, since his low-rent loft is without that amenity, which is odd in South Florida.

Fiona Glenanne, Michael’s Girl Friday, is a former IRA operative who’s the “shoot first, ask questions later” foil to Michael’s analytical, procedural way of doing things. Michael has a system, an answer for just about any situation he comes across, but while his toolbox tends to include a variety of clever alternatives, Fiona’s is full of bullets and C4. Their relationship is a complex one due to a past entanglement that ended abruptly thanks to Michael’s cover being blown, and while this makes for more than a few interesting and/or awkward exchanges, it means that the two of them trust each other completely.

And then there’s Sam Axe. A former SEAL and one of the best in the business in his prime, Sam’s now a semi-retired Lothario floating from one sugar momma’s love nest to another. He’d have been a contemporary of James Bond, and his skills haven’t atrophied with time, keeping up with Michael’s mercurial changes in cover & planning, and easily shooting as well as Fiona. He does all this in loud Hawaiian shirts and is never far away from some form of liquor. Oh, and did I mention that Sam is played by Bruce Campbell?

If you have any interest in espionage stories, good use of first-person narration, or an off-beat procedural different from anything in the worlds of law enforcement or medicine, I advise you to check out Burn Notice.

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