Tag: Writing (page 22 of 47)

Readers Can Get Lost

Good Luck road sign

If you have a map to take you from A to B, and B is not where it should be, sometimes you need to follow your nose. This is easier if you have road signs to follow, as one’s nose isn’t always reliable. And if there’s construction going on, well… good luck, pal.

This is a frustrating thing to deal with while driving, but in writing a story, sometimes it pays to mislead your reader. They might think a story is moving in one direction, but when it begins to head in another, they might find themselves disoriented or confused. If that confusion is also present in the protagonist, it keeps the reader intimately involved. If they didn’t relate to the hero before, they sure do now.

On the other hand, if you get too complicated or twisty in the reasoning of your plot, you might lose people entirely. LOST was accused of “jumping the shark” at least once during its run due to some of the places its plot went. Inception is confusing for some, but if you actually pay attention from beginning to end, you should be able follow the plot’s turns and redirections. That aforementioned confusion is something I still don’t get.

Anyway, making a reader work to reach a conclusion or laying the groundwork for a labyrinthine journey is ultimately rewarding for everyone involved if you can do it right. The reader feels a sense of accomplishment in putting things together themselves, especially if they can do it before the characters. On top of that, when they’ve finished, they’re more likely to share their experiences with others, which is good for the author. Finally, if enough threads are tied up but a few left dangling, it can cause the reader to look forward to the next work from that same author, thus winning the reader’s loyalty.

That is, provided you don’t get the reader so lost they fling the work across the room in frustration. Nobody wants that. It’s hard on the book. And, occasionally, the furniture.

Being Critical

The Thinker

When I cross-posted yesterday’s review on the Escapist, a couple of people pointed out that the card game in that abyssmal movie was grossly misrepresented. Fair enough. Despite the fact that breaking the flow of the game to explain what a card is and does is actually something that happens all the time in actual collectible card games, I will concede I was perhaps a bit too harsh when I referred to the card game of Yu-Gi-Oh! as brain damaged.

I’ve played a few CCGs in my day. Magic: the Gathering, NetRunner, Vampire the Masquerade (remember when it was called Jyhad?), World of Warcraft, and even Dragonball Z. I know how these things work. It’s really, really difficult to make it interesting to someone viewing it from the outside with no interest in the game, and since Yu-Gi-Oh! never got my attention as a game, it sure wasn’t doing itself any favors in movie form.

However, that’s a subjective point of view. And some of the folks who have, with probably somewhat good intentions, brought up the merits of the game, are also viewing the work subjectively. Sometimes, if one remains in a subjective point of view, things like tentative references to other works, flimsy dialogue or plot contrivance can get past the radar since the subject is enamored with what’s been depicted in the work.

My goal in yesterday’s post, and in pretty much every IT CAME FROM NETFLIX! feature, is to do my utmost to remain objective. For the most part, there are things in a work that are going to make it good or bad for people as individuals. My mother isn’t a fan of gratuitous violence or excessive use of the F-bomb. So a movie like Pulp Fiction isn’t something she’s going to watch. However, that film does have objective merits that a good film should have: interesting characters, well-written dialogue, a good soundtrack and thoughtful direction. I and other critics might declare it “good”, but that doesn’t mean everyone’s going to see it. Car magazines might say an Aston Martin is a good car, but I’m not going to buy one. Mostly because I can’t afford it.

On the other hand, Avatar has, as objective merits, technical brilliance, a unique aesthetic, sweeping battle sequences and a decent performance here and there. However, it has a story that is at some times simplistic and others clearly drawing from other sources, as well as supporting characters that are somewhat shallow one-dimensional straw men for corporate greed, indigenous antagonism or American belligerence. From a subjective point of view, it’s difficult for me to forgive the story flaws and character problems because I’ve been working very hard to avoid those very things in my own works. Someone who isn’t neck deep in writing speculative fiction might be able to overlook those difficulties and judge the film as good based on its visuals and the composition of its action. And, really, I can’t say I’d fault anyone for that.

Being critical and attempting to see these things from an objective point of view is as much an exercise for my own work as it is inspiration from Confused Matthew or MovieBob. If I can take a step back from my work as a writer, view the objective merits of that work and make the changes necessary to correct any flaws I see, the work will be better for it. The catch is not to overlook flaws that exist just because I can’t bear to pull the trigger or see flaws where there are none because, let’s face it, we are all our own worst critics.

And if I keep editing instead of writing, this stuff I’ve written will never see the light of day.

Celebrate Your Milestones

Courtesy Milestone Surgery, Fairborough

When you seriously undertake an endeavor, finding success is never immediate. It’s a long hard climb to the top, and sometimes you can lose sight of the ultimate goal. That’s why you set milestones for yourself.

It could be finishing a chapter. Knocking out a round of edits. Sending out a given number of queries. Every milestone you reach is bringing you one step closer to the realization of that dream. That’s cause for celebration, in my opinion, because how many people never actually take that first step, let alone one that got you to that milestone?

Now, by ‘celebrating’ I don’t mean throwing a massive party for each little milestone reached. But you should still reward yourself. Go out and have a drink. See a movie you haven’t seen yet in the cinema. Break the tedium in some way that lets off some steam, gets you experiencing something new, drives home the fact that you’ve completed something significant, even if it’s just for you.

I’d love to take my own advice, here. I recently finished taking the pen to the manuscript of Citizen and trimming some of the fat. When I sit down to plow through the changes electronically, I suspect even more will be trimmed. And then I have one more round beyond that, a series examination by critical friends. Not to mention finally letting my wife read it and having her give me notes on everything I should change, or why I should change everything.

I don’t have any big plans to celebrate, though. Unless you count going up north for Musikfest again. I never did get to try out the pulled pork they have up there this year. Or the crab cake sliders. (Great, now I’m getting hungry again)

My point is, take a break. Relax. Celebrate.

Then get right back to it.

Remember, that masterpiece isn’t going to write itself.

PT: Unplug, Dammit

Gunnery Sgt. Hartmann

I know SEPTA’s got issues. A little inclement weather throws entire train lines out of whack. Engineers desperate to keep on schedule will leave the platform a minute early. Buses plow into eateries. No system is perfect. But I relish my train rides. I don’t pollute, I don’t get bent out of shape over traffic and the jerkasses that come with it, and most importantly of all, I’m unplugged.

I take no laptop, no netbook, no glitzy overpriced unmodifiable gizmo with a lowercase “i” in front of its name. …Okay, I have an iShuffle, an old one in fact, but pipe down I’m making a point. The point is, I have a binder with fiction work in it, be it my manuscript or blank pages to fill with a shorter work, and I take my pen to it. I scribble out thoughts. I frame dialog and action in ball-point gel ink. I write.

Writers have a lot of tools at their disposal to make their lives easier. Dictionaries, thesauruses (thesauri?) and other reference materials fit on thumb drives. Word processing software saves trees in both the writing and editorial process. E-mail lets submissions get fired off to agents and periodicals in a snap. And if you need to research something obscure or find out what’s hot in your genre right now? The Internet is for that. And porn.

But these can also make a writer lazy. A crashing computer can be frustrating as hell and lose you hours of work. The Internet can distract you in various ways. An e-mail from someone to whom you submitted your work that says what you sent just isn’t good enough can be discouraging.

So turn ’em off.

There are times when typing out the words I want to express feels a bit like a disconnect between myself and the work. Like the electronics are getting in the way. Being a child of the electronic age and having grown up around this stuff – I’m still my parents’ go-to guy for tech support – it’s more of a niggling little annoyance than a real issue. However, the feeling still exists. There’s also the fact that my notes, snippets, edits and letters are not going to be obliterated by something as mundane as a power surge or a missed click.

When the zombie apocalypse happens, provided rampant fires don’t destroy everything, I’ll still have my notes. And hopefully some ammunition. I might hold on to my thumb drive full of manuscripts, short stories and ideas, but where am I going to plug it in? How is a computer going to get power? And why didn’t you barricade the door more effectively? I’m in the middle of a love scene here, I can’t stop to grab my shotgun and keep that zombie from helping itself to a mouthful of your brain! YOU BROUGHT THIS ON YOURSELF!

…Where was I? Right. Writing.

If you find yourself running out of time during the day for a variety of reasons – you saw a great tweet, you’ve been playing a game, you’re spending an hour every day in your sweltering car screaming obscenities at some douchebag in an Audi who’s yammering into their Bluetooth headset about the killing they’re making in the stock market – find ways to unplug. Disconnect yourself from the grid. Take up a pen or pencil, grab some wood pulp in sheet form, and get to scribbling.

If you have more suggestions on how & where to do this, or if you have experiences in this vein you’d like to share, go right ahead and share ’em. That’s why you’re here, after all.

Unless you were brought here by searching for ‘inception ariadne’ or ‘troll female.’

Which brings up a whole lot of interesting thoughts when you combine those two search strings.

Celebrate Relentlessness

They suck hard.

This is going to be another one of those posts that’s as much a reminder to myself as it is to anybody else. During my abortive attempt to catch this morning’s train, my iShuffle offered up a song I haven’t heard in a while – KMFDM’s “Megalomaniac.” Even more so now than years ago when I first heard it, there’s a bit in the lyrics that seems to speak directly to me:

In the age of super-boredom
Rape & mediocrity
Celebtrate relentlessness
Menace to society

It’s difficult for me to think of anything more relentless than an idea, especially in the creative mind. The flashes of inspiration that prompt the creation of a work or series of works often extends beyond the original framer of the idea into all sort of permutations. The idea of being out of control, even in a creative sense, is very frightening for some people.

Yet the idea does not go away. A creative mind can struggle to ignore it or put it behind them as they do something responsible, but it’s there. It sits. It waits. And every so often, it rattles its cage. It won’t be ignored for long. It’s relentless.

It’s an admirable sort of relentlessness, in my opinion. The idea doesn’t give up. We shouldn’t, either.

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